A Quote by Thomas Hardy
A novel is an impression, not an argument; and there the matter must rest.
Related Quotes
Any work of science, no matter what its point of departure, cannot become fully convincing until it crosses the boundary between the theoretical and the experimental: Experimentation must give way to argument, and argument must have recourse to experimentation.
A novel is a work of poetry. In order to write it, one must have tranquility of spirit and of impression.
One man is more concerned with the impression he makes on the rest of mankind, another with the impression the rest of mankind makes on him.
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.
One of the stories that really impressed me was 'Anna Karenina.' As a novel, that made an impression on me, showing me what the novel can do.
I think, we can only write very personal matters through our experience. When I named my first novel about my son "A Personal Matter," I believe I knew the most important thing: there is not any personal matter; we must find the link between ourselves, our "personal matter," and society.
In general, I think every novel is a political novel, in that every novel is an argument about how the world works, who has power, who has a voice, what we should care about. But political novels can be boringly polemical if they end up being too black and white, too one dimensional, like war is bad, killing people is wrong.
The notion that somehow or another they'll (Iran) put it in a picnic basket and hand it to some terrorist group is merely an argument that may be convincing to some people who don't know anything about nuclear weapons. I don't find that argument very credible, I'm not sure that people who make it even believe in it. But it's a good argument to make if you have no other argument to make. The fact of the matter is, Iran has been around for 3000 years, and that is not a symptom of a suicidal instinct.
No matter who you are, no matter what greatness you've achieved in your life or what gifts you've given to the rest of humanity, if you criticize Israel, you must expect to become persona non grata. You should expect an utter onslaught of attacks.
Every sermon must have a solid rest in Scripture, and the pointedness which comes of a clear subject, and the conviction which belongs to well-thought argument, and the warmth that proceeds from earnest appeal.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
Impression is not enough. Design, style, technique - these, too, are not enough. Art must reach further than impression or self-revelation .
I don't like watchingpeople get shot so I would be a little skittish about that - squeamish, but I must say, I don't think the argument that this is going to offend Muslims is a legitimate argument.
When you spend time with your friends, what do you talk about? Those things which made an impression on you that day, that week ... I write stories the same way. Events at home, in school, at work, in the street, these are the bases for a story. Some experiences leave such a deep impression that instead of talking about them at the club I work them into a novel.
There are two modes of knowledge: through argument and through experience. Argument brings conclusions and compels us to concede them, but it does not cause certainty nor remove doubts that the mind may rest in truth, unless this is provided by experience.
You must lie upon the daisies and discourse in novel phrases of complicated state of mind. The meaning doesn't matter if it's only idle chatter of a transcendental kind.
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