A Quote by Thomas Hauser

The standard publishing contract is replete with clauses that strip authors of control over their books. — © Thomas Hauser
The standard publishing contract is replete with clauses that strip authors of control over their books.
I know dozens of authors who have had a lot of books published by New York, and they won't ever take another Big 6 contract since they've gotten a taste of the freedom, control, and money self-publishing offers.
Authors of books are not given very much control over the films that are made from their books.
Amazon is such a big player in publishing, but a lot of authors feel this connection to their publishing house and their editors who helped them get their books out there, so their loyalties tend to go that way.
The Antitrust Division of the United States Department of Justice should take a long, hard look at the standard publishing contract.
He constructed a vast labyrinthine of periods, made impassable by the piling-up of clauses upon clauses-clauses in which oversight and bad grammar seemed manifestations of disdain.
When I was publishing my first books, the previous generation of authors was fading away, so I was welcomed because I was a new author.
Publishing is a business. It's about squeezing every last dollar out of every available source, and the most vulnerable source is the author. No clearer proof of that exists than the 'standard' book contract.
I am hoping to work with writers publishing books for first time, since I of course remember what that experience is like. It's all a bit of a mystery for new authors who don't know what to expect.
Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect.
I'm seeing more and more books by celebrity authors, and I'm not happy to see them. I'd rather see publishing budgets devoted to genuine talents.
Most books, like their authors, are born to die; of only a few books can it be said that death has no dominion over them; they live, and their influence lives forever.
We all need each other in publishing to make publishing work for authors in a variety of formats now and in the future. Anyone who thinks publishers don't bring anything to the table has a very narrow view and lack of knowledge about the industry as a whole.
Unbeknownst to me, two readers of the posts, both published authors, contacted their agent, Bill Jensen, within 24 hours of each other, encouraging him to drop me a line. Which he did. He shared his extensive publishing background with me, and prayerfully offered to work out a proposal and to see if God opened any publishing doors? I never get over the unexpected ways of God.
I've never sold my publishing. I have 100% control of all of my publishing and that includes everything, every use of my songs.
Until I became a nurse, no one had ever asked me to sign a book contract. I had been writing for decades, read thousands of books, and even worked in publishing for 10 years. Who knew that nursing would be my break?
People would react to books by authors like James and Austen almost on a gut level. I think it was not so much the message, because the best authors do not have obvious messages. These authors were disturbing to my students because of their perspectives on life.
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