A Quote by Thomas Jane
When I was a kid out here in L.A., I was homeless, I didn't have any money and I was living in my car. I wasn't averse to going down to Santa Monica Boulevard and letting a guy buy me a sandwich. Know what I mean?
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You grow up as an artist in a big city. As James Dean said, you're going to have one arm tied behind your back if you don't accept people's sexual flavors. You know, when I was a kid out here in L.A., I was homeless; I didn't have any money, and I was living in my car. I was 18.
I worked in this bar called the Raincheck Room in the '60s; it used to be over on Santa Monica Boulevard, and, y'know, it was a pretty hip place. Lots of actors hung out there.
I think the true test of a pop song, for me, and I've talked to a lot of other writers about this, is you take your demo, you pop it in your car and you drive down Sunset Blvd. to Santa Monica, and that's the Hollywood car test.
One of my first bartending gigs was on Santa Monica Boulevard at Doug Weston's Troubadour, a very famous live music venue.
When Arnold Schwarzenegger vetoed the same-sex marriage bill, my blood was boiling. I had been silent, but that night, Brad and I watched the news and saw all these young people pouring out on Santa Monica Boulevard venting their rage, and I said, 'I have to speak out.'
From a filmmaker's point of view, there is something undeniably cinematic about a location like Santa Monica Boulevard, which is so chaotic and busy and over-stimulating.
I don't buy the 'at 60 it's great to have kids' thing. I don't buy the line that has been thrown down - 'You can have a kid at any time.' That doesn't mean you should.
I didn't grow up with a lot of money, so my mom didn't have random money to buy me a car, and I didn't have money to have a car unless I worked, so I didn't get a car until I got my first job at 18.
When I became 'The American Dream,' they needed a hero down here. I had no money - I couldn't buy a car without being tied under - but I had to have a Cadillac with blue stars on the hood no matter what it cost because just driving in it will set how they look at me and perceive this guy; they'll know.
Famously sunny Los Angeles has long been known as the homeless capital of America, from beachy communities like Santa Monica and Venice to Skid Row downtown.
I have my own hard earned money and if I buy a fly rod I'm going to give my money to the company that's giving me value. I'm going to the guy who gives me my money's worth.
Well, I have a lot of appetites and try to revel in almost everything, so inspiration can even come from a well-appointed submarine sandwich, you know? Potentially in the form of The Godmother from Santa Monica's Bay Cities [Italian Deli &] Bakery. But for a primal "Wow, every sense is on fire!" moment, it would have to be live music.
Some things I won't do for any amount of money. That's so demoralizing and goes against every principle that I hold. It's like, okay, some rich people can buy me because I'm a talented guy. They can buy talent. You can't buy it for yourself, but you can buy other people's talent to serve your purposes. And once an artist does that, he becomes like a plaything of the rich. You know, some of these wealthy collectors have paid lots of money for artwork that I already did, but I didn't do it with the intention of catering to them.
I was homeless for almost a year and a half, just living in my car or bouncing around peoples' houses, going to 7-Eleven at the end of the day and asking them for the taquitos that they were going to throw out because I hadn't eaten in two days.
One day in '61, I was looking in the Santa Monica phone book for a number, and there it was: Stan Laurel, Ocean Avenue in Santa Monica. I went over there and spent the afternoon with them. And pumped him with questions. I must have driven him crazy. I spent a lot of happy hours at Stan's house on Sundays just talking about comedy.
I remember arguing with kids on the street who were talking about Santa Claus. I said don't be so daft - Santa Claus doesn't come down our chimney. He's an economic Santa Claus; he goes down chimneys where they've got money.
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