A Quote by Thomas Jane
I just have a respect for my audience. That seems to be pretty logical.
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I just respect audiences to understand that that's what goes on in movies. I just try to make movies that respect the intelligence of the audience. Respect that they understand that the narrator is always unreliable and respect that they understand that the medium can do whatever it wants.
If you let your mind talk you out of things that aren't logical, you're going to have a very boring life. Because grace isn't logical. Love isn't logical. Miracles aren't logical.
If you want to be an entertainer and just keep your audience happy, that's one thing. But to be an artist, I think, means ultimately primarily pleasing yourself, and in that respect, you constantly have this sense of confronting the expectations of your audience.
Even though standup seems like one-way conversation, if you're doing it right, it's actually a two-way discussion between the comic and the audience... the audience just happens to be communicating through laughter.
I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
My last name has the word 'big' in it. It seems like a logical progression that if you shed away the Bir and the lia, I'll just be Big.
It's just, some players I don't respect. Just their playing style of basketball. I don't respect it. I feel like it's basically cheating and I don't respect a cheater. If that's your tactic to winning, I don't respect you.
As a filmmaker, I wish we didn't have to do trailers at all, quite honestly. I wish we didn't have to do posters. I wish didn't have to give anything away. I wish people could just come in the movie blind. But as an audience member, I respect that you have to tell an audience that this is worth your time.
And one of the things I noticed pretty early on in art school was that my classmates had no notion of an audience. Right? I mean, growing up with the mother that I did, I learned that when you walk into the dry cleaners, there's an audience waiting for you. You know, maybe it's just the person behind the counter.
It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.
I am a pretty omnivoracious reader in respect to prose style, but if the prose doesn't have its own music, if the relationship to the sentence seems unconsidered or superficial, I have a really hard time reading the work.
We all know this is a pretty intense business. There's a lot that happens, a lot that goes on here. Just like any other job, you want to be happy, and once you've gained that respect, you want to be treated with that type of respect.
The potential audience seems to be dwindling in the states. I was kind of embarrassed for the band because of the size of the audience.
I'm certainly not a Robin Hood, I'm not that way. I don't want to come through, burn everybody for $200 a ticket and then they can't afford to come see me again. Plus, I just don't think it's right. I don't think we need that much money. I just do what seems like the logical thing to do.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room. You've just got to be in the moment and go with it.
In America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience.
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