A Quote by Thomas Jefferson
Never throw off the best affections of nature in the moment when they become most precious to their object; nor fear to extend you hand to save another, lest you should sink yourself.
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But if thought is to become the possession of many, not the privilege of the few, we must have done with fear. It is fear that holds men back - fear lest their cherished beliefs should prove delusions, fear lest the institutions by which they live should prove harmful, fear lest they themselves should prove less worthy of respect than they have supposed themselves to be.
Men of strong affections are jealous of their own genius. They fear lest they should be loved for a quality, and not for themselves.
If I were to name the three most precious resources of life, I should say books, friends, and nature. And the greatest of these, at least the most constant and always at hand, is nature.
Explore, and explore, and explore. Be neither chided nor flattered out of your position of perpetual inquiry. Neither dogmatise yourself, nor accept another's dogmatism. Why should you renounce your right to traverse the star-lit deserts of truth, for the premature comforts of an acre, house, and barn? Truth also has its roof, and bed, and board. Make yourself necessary to the world, and mankind will give you bread, and if not store of it, yet such as shall not take away your property in all men's possessions, in all men's affections, in art, in nature, and in hope.
Your pretended fear lest error should step in, is like the man that would keep all the wine out of the country lest men should be drunk. It will be found an unjust and unwise jealousy, to deny a man the liberty he hath by nature upon a supposition that he may abuse it.
A man should live with his superiors as he does with his fire: not too near, lest he burn; nor too far off, lest he freeze.
Hope, and fear. Twin forces that tugged at us first in one direction and then in another, and which was the stronger no one could say. Of the latter we never spoke, but it was always with us. Fear, constant companion of the peasant. Hunger, ever at hand to jog his elbow should he relax. Despair, ready to engulf him should he falter. Fear; fear of the dark future; fear of the sharpness of hunger; fear of the blackness of death.
Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love can not fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
Do not fear lest you should meditate too much upon Him and speak of Him in an unworthy way, providing you are led by faith. Do not fear lest you should entertain false opinions of Him so long as they are in conformity with the notion of the infinitely perfect Being.
Go to the object. Leave your subjective preoccupation with yourself. Do not impose yourself on the object. Become one with the object. Plunge deep enough into the object to see something like a hidden glimmering there.
To withhold deserved praise lest it should make its object conceited is as dishonest as to withhold payment of a just debt lest your creditor should spend the money badly.
Perhaps it is our fear, that in the silence between stories, in the moment of falling, the fear that we will never find the one story which will save us, and so we lunge for another, and we feel safe again, if only for as long as we are telling it.
Freedom and security are precious gifts that we, as Americans, should never take for granted. We must do all we can to extend our hand in times of need to those who willingly sacrifice each day to provide that freedom and security. While we can never do enough to show gratitude to our nation's defenders, we can always do a little more.
If you give yourself one complete minute of focused presence, to simply stop; even to listen to your heart beating, it will take you out of your head and introduce you to the moment which is complete in itself. It is not on the way to another moment. It is not a bridge to another opportunity. It is the timeless perfection So stopand sink into this timeless moment.
By the artist's seizing any one object from nature, that object no longer is part of nature. One can go so far as to say that theartist creates the object in that very moment by emphasizing its significant, characteristic, and interesting aspects or, rather, by adding the higher values.
Margaret had always dreaded lest her courage should fail her in any emergency, and she should be proved to be, what she dreaded lest she was--a coward. But now, in this real great time of reasonable fear and nearness of terror, she forgot herself, and felt only an intense sympathy--intense to painfulness--in the interests of the moment.
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