A Quote by Thomas Jefferson

My affections were first for my own country, then, generally, for all mankind — © Thomas Jefferson
My affections were first for my own country, then, generally, for all mankind
To be attached to the subdivision, to love the little platoon we belong to in society, is the first principle (the germ as it were) of public affections. It is the first link in the series by which we proceed toward a love to our country and to mankind. The interest of that portion of social arrangement is a trust in the hands of all those who compose it; and as none but bad men would justify it in abuse, none but traitors would barter it away for their own personal advantage.
There is nothing which so generally strikes the imagination and engages the affections of mankind, as the right of property.
In the Army of the Shenandoah, you were the 'First Brigade!' In the Army of the Potomac you were the 'First Brigade!' In the Second Corps of this Army, you are the 'First Brigade!' You are the 'First Brigade' in the affections of your general, and I hope by your future deeds and bearing you will be handed down the posterity as the 'First Brigade' in this our Second War of Independence. Farewell!
Humanity from the first has had its vultures and sharks, and representatives of the fraternity who prey upon mankind may be expected no less in America than elsewhere. That this virulence breaks out most readily and commonly against colored persons in this country, is due of course to the fact that they are, generally speaking, weak and can be imposed upon with impunity. Bullies are always cowards at heart.
There is nothing which so generally strikes the imagination, and engages the affections of mankind, as the right of property; or that sole and despotic dominion which one man claims and exercises over the external things of the world, in total exclusion of the right of any other individual in the universe. And yet there are very few, that will give themselves the trouble to consider the original and foundation of this right.
I'll generally always get melody first and then I'll go in and try and think of a title and lyrics generally come last.
Those who live in the country get idiotic in time, without noticing it, for a while they think it's original and good for their health, but life in the country is not original at all, for anyone who wasn't born in and for the country it shows a lack of taste and is only harmful to their health. The people who go walking in the country walk right into their own funeral in the country and at the very least they lead a grotesque existence which leads them first into idiocy, then into an absurd death.
Six months after that, I left Taiwan, first for Hong Kong and then for mainland China, where I spent another three months studying still more Chinese and generally kicking around the country.
I'll generally write out every scene that's in the film on a couple of pieces of paper, just with a little one-line. And then I can scan it a bit and go, 'This first third of the film, generally, I'm kind of calm.' Then I might do something on one piece of paper that just relates to the energy of the character.
As the Nazi regime developed over the years, the whole structure of decision-making was changed. At first there were laws. Then there were decrees implementing laws. Then a law was made saying, ‘There shall be no laws.’ Then there were orders and directives that were written down, but still published in ministerial gazettes. Then there was government by announcement; orders appeared in newspapers. Then there were the quiet orders, the orders that were not published, that were within the bureaucracy, that were oral. And finally, there were no orders at all. Everybody knew what he had to do.
The moral duty to be expected in different ages is not a unity of standard, or of acts, but a unity of tendency ... At one time the benevolent affections embrace merely the family, soon the circle expanding includes first a class, then a nation, then a coalition of nations, then all humanity and finally, its influence is felt in the dealings of man with the animal world.
As it is with spiritual discoveries and affections given at first conversion, so it is in all subsequent illuminations and affections of that kind; they are all transforming. There is a like divine power and energy in them as in the first discoveries; they still reach the bottom of the heart, and affect and alter the very nature of the soul, in proportion to the degree in which they are given. And a transformation of nature is continued and carried on by them to the end of life, until it is brought to perfection in glory.
I have had the good fortune to experience both the limelight and the traffic light as a musician. I did my first recording on my own and it was available at concerts. The second to seventh were released on small and then large labels. My eighth to 14th were done under my own steam once again, but with the benefit of the Internet.
There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and generally they're safe. But if you look at Walt Disney's original films, at the time and in the context, they weren't safe. They were really dark and troubling.
Through artists mankind becomes an individual, in that they unite the past and the future in the present. They are the higher organ of the soul, where the life spirits of entire external mankind meet and in which inner mankind first acts.
His friends were those of his own blood or those whom he had known the longest; his affections, like ivy, were the growth of time, they implied no aptness in the object.
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