A Quote by Thomas Jones
When I'm 75 years old, I want to say that I chased my dream. I didn't let other people's opinions dictate what I have in my book of my life.
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When I was 40, I wrote my first book, The Pilgrimage, and I said to myself, "why did it take so long for me to write this book?" Because my dream, since I was 10 years old, was to be a writer. I said, I have to revisit my life using a metaphor, and the metaphor was basically this boy that has a dream and has to go far away to realize that his dream is close to him.
I thought at 46 years old, I've been removed from the fashion industry for 10 years. I couldn't possibly write a model's book. That's for a 20-year-old. But I could say what I want to say without chastising the industry.
I doubt if I shall ever have time to read the book again -- there are too many new ones coming out all the time which I want to read. Yet an old book has something for me which no new book can ever have -- for at every reading the memories and atmosphere of other readings come back and I am reading old years as well as an old book.
Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad's shoulders and the dad is singing along.
I was like every other boy in India, with a dream of playing for my country. Yet I could never have imagined a journey so long and so fulfilling. No dream is ever chased alone.
I think I had a particular moment when I was 15 years old. I read 'Crime and Punishment,' and that book just, I think, more than any other book made me want to be a writer, 'cause it was the first time that I hadn't just entered a book, but a book had entered me.
What if I couldn't handle people's opinions of me? I know that shouldn't dictate a person's degree of peace or happiness in life, but the problem is, I chose a business saturated in judgment.
When I signed that major-label contract when I was 20 years old. I did it because I wanted to play music for the rest of my life. That's every 20-year-old's dream - to do whatever the hell you want.
I think my life actually changed at 40. That's when you realize you can't ride the fence anymore. You either have to get on one side or the other. I think some of my best years were between 40 and 50: I got my priorities straight and life is good to me now. It's only other people who say, "God, she's 50 years old!" as if I'm over the hill. I feel like I just started.
A writer is a man like any other: he dreams. And my dream was to be able to say of this book, when I finished: 'This is a book about Alentejo.'
I strive for perfection, but I'm not perfect. But what I can say is my morals are totally different than any other 24-year-old rapper my age now. I look at life totally different. A whole other aspect. I have different views and morals on life in general. And opinions.
I strive for perfection, but Im not perfect. But what I can say is my morals are totally different than any other 24-year-old rapper my age now. I look at life totally different. A whole other aspect. I have different views and morals on life in general. And opinions.
I've really only had one (dream) since I got into this business at 13 years old, which was to be in this business forever. Once I did my first television commercial, I caught that itch and that bug. I want to be a part of pieces of art - as far as cinema is concerned - that people will want to see for generations to come. That's my dream.
Some people say Dylan Thomas mischievous, he's a child, and other people say he's quite demonic. I don't think we should dictate about him, if that's your view of him, that's wonderful, but it's great to know that other people think differently.
It's a struggle every day, to stay present, not to become that...eight year old who was bullied and chased home from school. Some days I wake up and it's like I'm eight years old again. And I'm scared for my life, and I don't know if I'm going to be beaten up that day.
In a play, you dictate pace, you dictate rhythm, you dictate when people look at you, when people should be looking at something else. In film, the editor does that.
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