A Quote by Thomas Keller
I think that you’ve got to make something that pleases you and hope that other people feel the same way.
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Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
I'm a believer in presenting something that is worth paying to see. I've always felt lucky in that the work that pleases me pleases other people as well.
I don't feel that way now. I don't want to make movies for the 10 people who feel exactly the same way about the world that I do. I want to make movies that many, many people see, and I want to say something that I believe is important in a way that people who don't agree with me can hear. And that involves making different kinds of choices, but it's not like a compromise that I'm making. It's that something else interests me, something else is appealing to me.
I know where my heart is and I know that I can make people feel something with my music. I'm quite confident in what I am doing, so if I can also make a song that people want to put in ten times during a party and makes them happy, then I think that is also good. I feel that playfulness is something that has entered my life a lot more in the last couple of years. I'm not taking everything too seriously. I think that is something that comes with age - I hope. I feel that music is much more fun for me than it has ever been.
I love fragrance for the pure fact that I think it's something that women utilize in a way to make themselves feel good, and I think this idea that we do it for men or for other people is such a misconception.
I can only speak from my personal journey and my personal struggles which are completely different from other individuals but if I can slightly help someone else understand themselves, then that's perfect. Because I only make music, there's so much emotion in the music itself that I hope people can tap into and feel the same way I feel when I listen to it.
Those of us who make films try to make something that we're feeling and that we would like. Then we just hope an audience responds the same way. It's very important to have the electrical circuit made, but I don't have control over how people feel when they flip the switch. So the whole idea of marketing research and test screenings is just foreign to me.
There are certain times when you can maybe intimidate certain people to force them to make a mistake. There are other people you know that you've got to make a clean pass. I try to make clean passes. That's something that I've been doing since I was 7 years old and that's the way I like to do it. It doesn't mean I always do it that way, but that's the way I prefer to do it.
You make other team think you going one way and you got to sell the move going that way and you've got to really make them think that you're going that way and they're going the other way. When it ends up ultimately being a perfect crossover is when you shake them so bad that they can't even get back into the play to play defense. You're already gone. That's what I think the perfect one is to where a teammate of his has to stop you from scoring.
Sometimes, I don't like making emotions your career; something about it is kind of gross. But, at the same time, I want to move people the same way the songs make me feel.
I'm not an Expressionist. I love to look at de Kooning, but I've got this kind of secret life, and that is something that pleases me. I have to try and make something out of it.
For what it’s worth: it’s never too late or, in my case, too early to be whoever you want to be. There’s no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you’re proud of. If you find that you’re not, I hope you have the courage to start all over again.
I feel like that's a way people can change the way music is - to be guided by someone they believe in and trust. Larson and I really believed in each other. It was like brother/sister, father/daughter, we were laughing and yelling, that's how it is when you make an album! Essentially the trust was there and I got something great.
The other thing is that when people mention computers - and I'm pretty much the same - they find it hard to comprehend that there's a performance there. They look at it as something that's just been made by a computer but in a way the difference is that when you make a normal film - and I'm simplifying it here - you put on the make-up and you put the scenery in before you start shooting, but with this you still perform in the same way but then you put the make-up on after, along with the costumes and scenery.
Hope is such a powerful thing. We all have hope for different things, but I think sometimes we need to share our hope with other people. We're sometimes in our own issues, and it isolates us, but when we come together and encourage each other and give a little bit of hope, it can, like it says in the song, go a long way.
Hope, to me, is wishing for something good to be true. I believe it is inherent in all of mankind to hope, not because we need to escape where we are, but because we have souls - and those souls were made for something greater than this world. I write about it so often because I think it compels us all. I want to make songs that people at any intellectual level can feel stirred by. Hope is the basest of human feelings to me, the feeling that all emotion springs from.
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