A Quote by Thomas King

Eden Robinson is one of those rare artists who comes to writing with a skill and maturity that has taken the rest of us decades to achieve. — © Thomas King
Eden Robinson is one of those rare artists who comes to writing with a skill and maturity that has taken the rest of us decades to achieve.
Nostalgia is a dangerous emotion, both because it is powerless to act in the real world, and because it glides so easily into hatred and resentment against those who have taken our Eden from us.
Each of us has his own way of emerging from the underworld, mine is by writing. That's why the only way I can keep going, if at all, is by writing, not through rest and sleep. I am far more likely to achieve peace of mind through writing than the capacity to write through peace.
There are dance artists, painting artists and writing artists. Authors are writing artists. You can practice art in whatever medium you choose, and words are mine.
It's only those exceptional and rare individuals who have brilliant ideas delivered to them by the muse, complete and gift wrapped. The rest of us have to work at it.
The skill sets it takes to be a successful entrepreneur, a successful marketer, or a relevant celebrity is a different skill set than you needed ten years ago, even though that was the skill set that mattered for decades.
The discipline learned from putting in time and effort as a child is a skill and a talent you carry with you for the rest of your life in trying to achieve goals.
Resistance is usually ascribed to bodies at rest, and impulse to those in motion, but motion and rest, as commonly conceived, are only relatively distinguished; nor are those bodies always truly at rest, which commonly are taken to be so.
I worry more about the marketing that's taken hold since the 70s. The Jazz era, the Swing era, those were huge. Entire decades were named for music. In the 1940s - after World War II - changes in taxation, ballrooms closing, people moving to the suburbs, and the onset of target marketing and the confusion of commerce with art caused some things to happen as a result that have taken us away from jazz and what jazz offers us.
I guess real maturity, which most of us never achieve, is when you realize that you're not the center of the universe.
I think all of us, looking back on our careers and our lives, there'll probably be a "road not taken" that we'll regret and mourn. Certainly, artists will always feel that way, especially when the path taken was more commercial than the one not taken.
I work so hard for what I do. To achieve what I have has taken me half of my life to be able to achieve what I have achieved. And for people to think I have taken a shortcut, it's not right, and it's not fair.
I was one of two first cultural exchange artists been allowed to go to the West. I knew it was such a rare opportunity and I had to treasure it by giving my utter most to achieve excellence.
There are franchise players to build around that have championship-level talent, skill, basketball IQ, and character - it's hard to find those guys. Those guys are rare.
All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art... skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks.
I started writing songs with my best friend Eden Rice when were in our early teens. We performed together at local coffee shops in suburban Atlanta as Kemp and Eden, until fate intervened and we were separated.
It is a happy circumstance that when nature gives us true burning desires, she also gives us the means to satisfy them. Those who want to win and lack skill can get someone with skill to help them.
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