A Quote by Thomas Kinkade

I've always been drawn to artists who paint for the everyday person. I love the American illustrators. — © Thomas Kinkade
I've always been drawn to artists who paint for the everyday person. I love the American illustrators.
I love men. I've always been drawn to poets, artists, and madmen. Sometimes all three in one
I'm impressed by the way some illustrators develop their images on computers, but it's too late for me to start, and I'm still in love with paper and paint and pencils.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I've always been drawn to the American style in the late '50s and '60s.
There are artists in Belgium who try to imitate American artists. But it's like, if you're Belgian pretending to be American, you won't be better than the American because you aren't American. You have to do your own stuff.
My greatest passion has always been connecting with creative people, appreciating the artistic and discovering fresh perspectives on the world. I came on board to use my experience in building an international community of photographers, illustrators and video artists at iStockphoto who learned, grew and sold their work to millions around the world. Building a community that large requires personality, a keen sense of what both the contributing artists and the buying audience need, and an ability to balance both. I wanted very much to transfer those skills to the fine art world.
Cartoonists are untrained artists, while illustrators are more trained.
The only people left in America who seem not to be artists are illustrators.
I've always been a creative person, and I'd always wanted to paint, so I went to art school and began painting and sculpting.
I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
Illustrators are word people who happen to draw. We work with one foot in a book, the other stuck in a paint pot. Our shoes are a disgrace.
It has been a pleasure to play with all these artists. Pretenders was a real highlight, but also Damon, aka Badly Drawn Boy, Sinead... Ian Brown... all of these people I learn from and love to work with.
I love writing picture books and story books because of the exciting, visual life that artists and illustrators give to them. And most of all, I love writing novels because of the inner, emotional journeys that they take me on. Hopefully, the reader comes with me!
I'm quite drawn to women artists who use themselves in their work. There is a very feminine point of view, the use of female archetypes. I love artists who play with those kind of things genuinely.
I was a pretty dark person to begin with. I have always been more drawn to darkness
I'm drawn to what I'm drawn to. I wear jeans and loafers everyday, mostly casual, but when I really turn it on, I like a classic, simple look.
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