A Quote by Thomas Kinkade
I was always the kid who could draw. I had this talent, and it was the one thing that gave me some kind of dignity in the midst of my personal environment.
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You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
God gave me a talent to draw. I 'owed' it to him to develop the talent.
Working with the kind of talent that I've gotten to work with, like the cast of Sin City, it makes me think probably more fully dimensionally about what is going on behind their eyes. But I draw the way I draw, and ain't nothing gonna change that. Although, I draw Marv and I think, "Boy, I could throw a little Mickey [Rourke] in there."
I'm always interested in the way people speak and move in their environment, in a very particular environment. I'm never interested in writing a kind of neutral, universal novel that could be set anywhere. To me, the any novel is a local thing always.
Jesus is apt to come, into the very midst of life at its most real and inescapable moments. Not in a blaze of unearthly light, not in the midst of a sermon, not in the throes of some kind of religious daydream, but...at supper time, or walking along a road...He never approached from on high, but always in the midst, in the midst of people, in the midst of real life and the questions that real life asks.
I worked at Disney many years ago. They just let me sit in a room for a couple of years and draw whatever I wanted to draw, so it's a very personal thing to me. Drawing and everything you do there is something meaningful and personal.
You could have a player that gave you some iffiness but his talent would make a real contribution, but you had to have an overwhelming base of players so you know exactly what you had.
I used to rap as a kid and people were impressed by it, so it gave me the drive to keep going. Everybody has at least one talent. I guess this is my talent.
I was in a school called Shiv Niketan, run by Elizabeth Gauba, where she gave a lot of importance to people expressing themselves in whatever way they wanted - some could draw and answer, some could dance and answer, while some could act.
Personalism's insistence that only personality-finite and infinite-is ultimately real strengthened me in two convictions: it gave me metaphysical and philosophical grounding for the idea of a personal God, and it gave me a metaphysical basis for the dignity and worth of all human personality.
I would like to be remembered as someone who gave it all and went for it all, As a woman of strong conviction, character, dignity, and talent who always put God first.
Murphy had found a spot on the street, which made me wonder if she didn't have some kind of magical talent after all. Only some kind of precognitive ESP could have gotten us a parking space on the street, in the shadow of a building, with both of us in sight of the apartment building's entrance.
Degrees of ability vary, but the basic principle remains the same: the degree of a man's independence, initiative and personal love for his work determines his talent as a worker and his worth as a man. Independence is the only gauge of human virtue and value. What a man is and makes of himself; not what he has or hasn't done for others. There is no substitute for personal dignity. There is no standard of personal dignity except independence.
For me the very important thing was never to forget that they had no right to have me there, that my duty was to escape and that I needed to get back to my family and to my children no matter what. And that I could not accept to just see them as an authority, that I had to always keep in mind that I had to rebel and to keep my distance and to protect my soul because the core of the problem is dignity.
Talent seduces us into interpretation. My sister could draw wonderfully, but she would never have hit upon the idea of becoming a painter. I never had that extreme talent.
I had to act in a school play when I was about ten years old. I really didn't want to do it. But everyone had to do it so I didn't have a choice. A talent agent came and watched it and later gave me some work. It's funny because I'd always known that I wanted a movie career. I just didn't think that I would be in the movies.
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