A Quote by Thomas Kretschmann
I don't see a film industry in Germany. They have a great TV culture, but how many German films are really exciting?
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The problem with the British film industry is that it's really the American film industry, or a small branch of in lots of ways because of the common language. But it's great to see some individual voices still there. I think I probably gravitate towards a slightly more European, auteur model rather than the studio thing. I think it would be great if British films were a little bit more auteur driven.
I really want to do a film in another language. My dad's from Germany, so it'd be really cool to do a film in German. I'm not quite fluent, but I can get there. And my accent's pretty good. I wouldn't feel too out of my element.
I'm third generation. I was born in Germany, grew up in Germany, and many of my friends are German. I love playing for Germany. I'm proud I can play for the national team.
A great day for me is not getting out of bed. I like to see how many snacks I can eat..and how many really bad TV shows I can watch
When I started acting in the film industry when I was 16 years old, in 1980, I was going to all the revival theaters in Los Angeles. They were playing mostly films from the '60s and '70s, some from the early '20s and '30s, before that Hays commission. Those films did question things a lot, and there definitely was a switch in 1934. You can see very distinctly in 1934, it's harder to understand what the real culture was. Films made before 1934, you can really kind of see the racism, sexism, drug use, etc. that was going on at that time. And then it was all stopped.
The larger the German body, the smaller the German bathing suit and the louder the German voice issuing German demands and German orders to everybody who doesn't speak German. For this, and several other reasons, Germany is known as 'the land where Israelis learned their manners'.
The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
I can say to the German people that the United States has been good for Germany. Has looked out for Germany. Has provided security for Germany. Has helped rebuilt Germany. And unify Germany.
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
I live in Australia, and I am Australian, and because I grew up in an era where we didn't have a film industry, and now we do, it's just really exciting for me to be able to say that I work in my own culture in a medium that I find fascinating.
Many things have changed in our culture here in England as a direct result of the Pistols: the whole street-fashion thing in London, for example, or the coverage of popular culture in the national press, or the fact that the film industry is now about young people making films about young British issues.
My parents worked in the film industry, but they both worked behind the camera, so I like to think that I have a really good understanding of how all the parts of the puzzle come together to make a film or TV show.
Art should not be bound by barriers or language. The Hindi film industry is a testament to that. We speak only Hindi, but we premiere in Germany and Japan. Our films do phenomenally well there. We transcend the barriers of language and culture. We welcome you in. I think that's what art should be, and I hope America reaches that place.
There's so many German songs which are really popular in Germany that I find really bad. It can quickly border on kitsch pop.
In Germany, you have to see that there are not a lot of black people in the media. I am a tiny bit of colour on German TV and there are a lot of kids who write to me.
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