A Quote by Thomas Langmann

Cinema is gambling. It is better to gamble on a unique film even if it seems like suicide. — © Thomas Langmann
Cinema is gambling. It is better to gamble on a unique film even if it seems like suicide.
It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.
I think a lot of people like to gamble, and they don't want to go to the casino to gamble. Sometimes they want to do it in the privacy of their home. They can't concentrate the way they want to in a gambling casino.
Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, "Oh my god, what a bad job, I can do better."
Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.
In our most Puritan of society, gambling-like other pleasures-is either taxed, restricted to certain hours, or forbidden altogether. Yet the impulse to gamble remains an eternal aspect of the irrationality of man. It finds outlets in business, war, politics, in the formal overtures of the gambling casinos, and in the less ceremonious exchanges among individuals of differing opinions.
I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'
We may gamble on outsmarting the law; we may even gamble on the leniency of man and the mercy of God-but no man ever won a gamble with his own conscience. Even should he think he has beaten his conscience into submission, his misdeeds still leave their mark upon him. Anyone who gambles against this fact has already lost his gamble.
There is no such thing as 'social gambling.' Either you are there to cut the other bloke's heart out and eat it -- or you're a sucker. If you don't like this choice -- don't gamble.
Film students should stay as far away from film schools and film teachers as possible. The only school for the cinema is the cinema.
I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.
For people to understand, you can't speak 'cinema.' Cinema doesn't have alphabets, so you have to go to the local language. Even in England, if they make a movie in London they have to make it in the Cockney accent, they can't make a film with the English spoken in the BBC. So cinema has to be realistic to the area that it is set in.
Secret Cinema has created a new way of experiencing film. The fusion of film and theatre allows for a much more powerful experience and adds an incredibly unique dimension for the audience. It certainly did for me. I was blown away
If you're going to break cinema, film, and movies apart, very rarely to you get the opportunity to even think that you've been a part of cinema.
My ambition was always to bag a lead role in a film, and hence, I refrained from doing any ads, TV serials, music videos, as I felt that a fresh face always works much better. It was a gamble, and I took that gamble telling myself that I will give it my all to bag a lead role.
The outside wold pressures you into a mold, but if you don't accept that - you gamble with life. Call it gambling.
I will never be in the stock market. It's just gambling. I'm a gambler, but I'll gamble on the practicality of things.
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