A Quote by Thomas Lennon
Being a movie star is stressful as hell. You've got to do crunches all day long. You've got to get up and learn lines.
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You've got to wake up and perfect your craft, every day, and at the end of the day, you know, you get the star power, magazines, photos shoots, but you've got to say humble, you've got to stay grounded.
Being movie director you've got the art department, you've got the actors, you've got the camera department, you've got make-up and hair, and props. You've got your finger in all these pies, and you're making sure that everything cooks at the right temperature.
At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'
Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.
When you get successful, the money comes in and pretty soon you've got to hire an accountant, you've got to get up early, and then you've got a day job.
Everybody kind of has to learn the same lessons. You've got to learn how to get over your first love. You've got to learn how to forgive people that emotionally abuse you. You've got to learn how to let go in a lot of ways.
A perfect movie is a different thing, but a funny movie is easy. I was really happy that I got everyone that I got. Everybody got to play to their strengths and was paired up in the right scenarios. It was very fortunate. It was exciting, the whole process. It makes more difficulty in editing 'cause there's more footage, but the guy I had handle it was a documentarian editor for a long time, so it was very useful.
When you actually get on the field, you've got to work. You've got to train. You've got to learn. You've got to put 100 per cent into it.
My entrepreneurial spirit happened all day long because I got to think of things that kids would interact with. I was in front of my customers for 6-8 hours a day. I got to see what they like, what they don't like, what they connected with, and most importantly, did they learn something from this?
My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, 'That's it-let's get the hell outta here.'
You can become a star overnight, guys. You can be on the street walking one day, and you're on your way to the corner diner, and you had to hitch a ride to get there. And the next day, you can be a huge star, money coming at you from right and left. And you've got to know how to handle that situation.
Ive got to get my real skills up; like, I got to get my skills up, cause in case of a crazy catastrophe, I might have to learn how to swim.
I've got to get my real skills up; like, I got to get my skills up, 'cause in case of a crazy catastrophe, I might have to learn how to swim.
I do get antsy if I haven't got lines to learn, a character to play. But yes, I do take holidays.
I never really did years of movie-after-movie-after-movie but when you've got three toddlers in the house you're performing all day long, anyway, with puppet shows and stories - I act around the clock.
Doing 'Star Trek,' I got to learn about it from the inside out. I got to learn what appealed to them, why sci-fi meant so much to people, why 'Star Trek' meant so much to people.
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