A Quote by Thomas M. Disch
Gene Wolfe has produced a work of art that can satisfy adult appetites and in which even the most fantastical elements register as poetry rather than as penny-whistle whimsy.
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Gene Wolfe is the greatest writer in the English language alive today. Let me repeat that: Gene Wolfe is the greatest writer in the English language alive today! I mean it. Shakespeare was a better stylist, Melville was more important to American letters, and Charles Dickens had a defter hand at creating characters. But among living writers, there is nobody who can even approach Gene Wolfe for brilliance of prose, clarity of thought, and depth in meaning
A penny will not buy a penny postcard or a penny whistle or a single piece of penny candy. It will not even, if you're managing the U.S. Mint, buy a penny.
I regard a love for poetry as one of the most needful and helpful elements in the life-outfit of a human being. It was the greatest of blessings to me, in the long days of toil to which I was shut in much earlier than most young girls are, that the poetry I held in my memory breathed its enchanted atmosphere through me and around me, and touched even dull drudgery with its sunshine.
Cinema is a composite art into which you can include all conceivable art or entertainment forms. In film, I can work with novelistic elements, comedy, drama, music, and other forms of entertainment. Film is a versatile expression, combining all elements into one art form.
Benjamin Franklin went through life an altered man because he once paid too dearly for a penny whistle. My concern springs usually from a deeper source, to wit, from having bought a whistle when I did not want one.
Probably the best nonsense poetry is produced gradually and accidentally, by communities rather than by individuals.
Poetry is the essence of everything, and it’s through deep contact with reality and living fully that you reach poetry. Very often I see photographers cultivating the strangeness or awkwardness of a scene, thinking it is poetry. No. Poetry is two elements which are suddenly conflict — a spark between two elements. But it’s given very seldom, and you can’t look for it. It’s like if you look for inspiration. No, it just comes by enriching yourself and living.
When writing fantastical literature, your biggest problem is getting your audience to believe the fantastical elements of your story.
The dismal half-baked images of the average "reportage" and "documentary" photography are self dammning... the slick manner, the slightly obscure significance, the esoteric fear of simple beauty for its own sake - I am deeply concerned with these manifestations of decay. Gene Smith's work validates my most vigorous convictions that if the documentary photographs is to be truly effective it must contain elements of art, intensity, fine craft and spirituality. All these his work contains and we may turn to his work with gratitude, appreciation and great respect.
I don't work for the commercial success of the film. I work to satisfy my producers who give me the money. I work to satisfy the director who has written a script for me. Of course, I have to satisfy the actor in me, but I want to satisfy them first.
I believe it is no wrong Observation, that Persons of Genius, and those who are most capable of Art, are always fond of Nature, as such are chiefly sensible, that all Art consists in the Imitation and Study of Nature. On the contrary, People of the common Level of Understanding are principally delighted with the Little Niceties and Fantastical Operations of Art, and constantly think that finest which is least Natural.
Like contemporary poetry, philosophy is one of those things, especially at the beginning stages, most people would rather do than study - which is why most of what gets done is so impoverished.
Appetites have only one word in their vocabulary - MORE. Appetites are never fully and finally satisfied. Even after the most satisfying meal imaginable, we eventually find ourselves rummaging through the pantry for a snack.
Fear in sooth holds so in check all mortals, becasue thay see many operations go on in earth and heaven, the causes of which they can in no way understand, believing them therefore to be done by power divine. for these reasons when we shall have seen that nothing can be produced from nothing, we shall then more correctly ascertain that which we are seeking, both the elements out of which every thing can be produced and the manner in which every thing can be produced in which all things are done without the hands of the gods.
Poetry can be criticized only through poetry. A critique which itself is not a work of art, either in content as representation of the necessary impression in the process of creation, or through its beautiful form and in its liberal tone in the spirit of the old Roman satire, has no right of citizenship in the realm of art.
Art and poetry cannot do without one another. Yet the two words are far from being synonymous. By Art I mean the creative or producing, work-making activity of the human mind. By Poetry I mean, not the particular art which consists in writing verses, but a process both more general and more primary: that intercommunication between the inner being of things and the inner being of the human Self which is a kind of divination (as was realized in ancient times; the Latin vates was both a poet and a diviner). Poetry, in this sense, is the secret life of each and all of the arts.
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