A Quote by Thomas Merton

The artistic experience, at its highest, was actually a natural analogue of mystical experience. It produced a kind of intuitive of perception. — © Thomas Merton
The artistic experience, at its highest, was actually a natural analogue of mystical experience. It produced a kind of intuitive of perception.
By inner experience I understand that which one usually calls mystical experience: the states of ecstasy, of rapture, at least of meditated emotion. But I am thinking less of confessional experience, to which one has had to adhere up to now, that of an experience laid bare, free of ties, even of an origin, of any confession whatever. This is why I don't like the word mystical.
Visionary experience is not the same as mystical experience. Mystical experience is beyond the realm of opposites. Visionary experience is still within that realm. Heaven entails hell, and 'going to heaven' is no more liberation than is the descent into horror. Heaven is merely a vantage point from which the divine Ground can be more clearly seen than on the level of ordinary individual experience.
My feeling is that writing is, for me, a pathological condition. That could sound like a mystical experience, and it may be a mystical experience, but I have learnt just to go with it.
The religions are the buildings or the institutions, the groups, but inside of that is what moves, is what's alive, is the beating heart of spirituality, and really, the heart's blood is the mystical experience. Not airy fairy vague mystical experience, but transformative, intimate experience that really touches your heart with love, and not just sex.
I can go into the wilderness and not see anyone for days and experience a kind of space that hasn't changed for tens of thousands of years. Having that experience was necessary to my perception of how photography can look at the changes humanity has brought about in the landscape. My work does become a kind of lament.
The characteristic property of hallucinogens, to suspend the boundaries between the experiencing self and the outer world in an ecstatic, emotional experience, makes it posible with their help, and after suitable internal and external perparation, to evoke a mystical experience according to plan, so to speak. I see the true importance of LSD in the possibility of providing material aid to meditation aimed at the mystical experience of a deeper, comprehensive reality. Such a use accords entirely with the essence and working character of LSD as a sacred drug.
Poetic experience is distinct in nature from mystical experience. Because poetry emanates from the free creativity of the spirit,it is from the very start oriented toward expression, and terminates in a word proffered, it wants to speak; whereas mystical because it emanates from the deepest longing of the spirit bent on knowing, tends of itself toward silence and internal fruition. Poetic experience is busy with the created world and the enigmatic and innumerable relations of existents with one another, not with the Principle of Being.
Certainly Christianity is an experience, but equally clearly the validity of ane experience has to be tested. There are people in lunatic asylums who have the experience of being the Emperor Napoleon or a poached egg. It is unquestionably an experience, and to them a real experience, but for all that it has no kind of universal validity. It is necessary to go far beyond simply saying that something comes from experience. Before any such thing can be evaluated at all, the source and character of the experience must clearly be investigated.
Lord Krishna... proclaims Self-realization, true wisdom, as the highest branch of all human knowledge-the king of all sciences, the very essence of dharma ("religion")-for it alone permanently uproots the cause of man's threefold suffering and reveals to him his true nature of Bliss. Self-realization is yoga or "oneness" with truth-the direct perception or experience of truth by the all-knowing intuitive faculty of the soul.
Experience never misleads; what you are misled by is only your judgment, and this misleads you by anticipating results from experience of a kind that is not produced by your experiments.
But it also became the experience, or was the experience, of the writers who were attracted to this kind of humor. They're all men or women who come from the same kind of experience in their own lives.
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
Experience is a mere whiff or rumble, produced by enormously complex and ill-deciphered causes of experience; and in the other direction, experience is a mere peephole through which glimpses come down to us of eternal things.
Experience is, for me, the highest authority. The touchstone of validity is my own experience. No other person's ideas, and none of my own ideas, are as authoritative as my experience. It is to experience that I must return again and again, to discover a closer approximation to truth as it is in the process of becoming me.
There is a quickness of perception in some, a nicety in the discernment of character, a natural penetration, in short, which no experience in others can equal.
I like natural disasters and I think that they may be the highest form of art possible to experience
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