A Quote by Thomas Merton

I brought all the instincts of a writer with me into the monastery. — © Thomas Merton
I brought all the instincts of a writer with me into the monastery.
One is that I'm really interested in movies about sex and lust, because I think those are primal, carnal instincts that translate well to a visual medium. Two, these things that I write, or want to make, are an expression of - I don't want to say darker instincts, but let's say darker instincts. But that's why I'm a writer.
In our own case, we don't consider the loss of a monastery or a monument the end of our entire way of life. If one monastery is destroyed, sometimes it happens.
It is not bad living in a monastery. I've done it many times in many lives. But I think you can do a better job outside the monastery, if you have the necessary component parts.
You might say living in a monastery cuts down the commutation time. That alone gives you a couple extra hours a day to meditate. In a monastery you lead a relatively simply life. You don't need a lot of possessions.
I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery.
If you resort to violent methods because the other side has destroyed your monastery, for example, you then have lost not only your monastery, but also your special Buddhist practices of detachment, love, and compassion.
Combine meditation with career as a yoga. You will find that your practice will not be any less powerful than a person who lives in a monastery. You might even excel because practice in a monastery can get very one-sided.
I was an altar boy in an incredible monastery that was attached to a rectory. The theater of the church is the most incredible theater, and in this church, it was beyond. It was this huge monastery. It was landmarked. It's a beautiful building, and I kind of had the run of it.
I credit that eight years of grammar school with nourishing me in a direction where I could trust myself and trust my instincts. They gave me the tools to reject my faith. They taught me to question and think for myself and to believe in my instincts to such an extent that I just said, "This is a wonderful fairy tale they have going here, but it's not for me."
One of the advantages of having gone to Penn State was having had a scholar for a mentor - Philip Young. Also, a professional writer named Philip Klass taught there. He was a science fiction writer whose pseudonym was William Tenn. As a professional writer, he brought wisdom to teaching because he'd done it for a living.
What I think after reading the script and seeing where the story goes, I go with my instincts on the character. If my instincts are wrong the director and the producers will guide me in the right direction. That's just kind of how I take on any role, be it a fantasy movie or not.
There was no audience for my books. The Indians didn't regard me as an Indian and North Americans couldn't conceive of me of a North American writer, not being white and brought up on wheat germ. My fiction got lost.
A man may quarrel with himself alone; that is, by controverting his better instincts and knowledge when brought face to face with temptation.
I've learned about employee relations; I've learned about following your instinct. One of the biggest mistakes you can follow is not following your instincts, you know? A lot of times your instincts will tell you what to do if you have a good one. Now, if your instincts are terrible, then you ask for advice. But if you have good instincts, you definitely have to follow them, or else you regret them.
I appreciate my instincts, but my instincts can be dead wrong. Circumspection can give you time.
Vlad made a sound too harsh to be a growl. "You won't be satisfied until you've brought me to my knees, is that it?" "Why not?" It shot out of me with all the recklessness of my still-broken heart. "You brought me to mine.
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