A Quote by Thomas Metzinger
At 19, I basically held the position that if you were intellectually honest and really wanted to get in touch with political reality then you had to smell tear-gas.
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The Sixties were an era of extreme reality. I miss the smell of tear gas. I miss the fear of getting beaten.
The reality is that the founding fathers were land speculators. The fact was that you couldn't vote in this country if you did not own land, and that was basically you had to be a white man who owned land. Now how did they get that land? They basically had to steal it from someone, and that would be probably the Indians. And so most of the initial founding fathers were, while they may have had some really nice ideas about democracy, they had a lot of issues with people of color. They had a lot of issues with people who held things that they coveted.
I can still smell the tear gas in the Hilton Hotel.
The smell of onion is the most effective thing for relieving stinging eyes irritated by tear gas.
I wasn't that wild about that. I told them basically if they were really going to want to bring back heavy metal to a program on MTV, then they are really going to have to get in touch with what real heavy metal is.
I started this whole endeavor really. And at the beginning we had the selection in Italy. And that was pretty much among people that had held previous experience in that particular satellite. So, I was in that, in a good position then.
What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
I remember as a child going to an exhibit about the Soviet Union, and every paper had this alien smell. The paper and the ink were all exported. It was like a piece of cheese from that country, you could touch it, feel it, smell it, and it was different.
I get so ticked off at you intellectually lazy people who think that the government is God, that every dollar they get or spend is somehow sacred. There is more fraud and waste and misuse. If the federal government were held accountable to the law as corporations are held accountable, half the federal government would be in prison.
I've always wanted to be an actress. At school and in college, I did some things. But then I married, and then I had children, and then there were the political years.
In the thirties a whole school of criticism bogged down intellectually in those agitprop, social-realistic days. A play had to be progressive. A number of plays by playwrights who were thought very highly of then - they were very bad playwrights - were highly praised because their themes were intellectually and politically proper. This intellectual morass is very dangerous, it seems to me. A form of censorship.
I finally got the dad I always wanted and then he left. At 18, 19 years old, I was really upset and had to work through that.
My parents were really political. The news was very important in our home. We basically had dinner every night while watching the news, and then we'd discuss it with our parents.
After Dynasty, I wanted a reality check. I wanted to get in touch with real life, you know? That kind of world is outrageous.
We have never been big smokers, neither Cheech [Marine] nor I. We were too creative, and we had a lot to do. We are actors and to be honest, I am the type of person that can reference a thought or a smell and get high.
Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon, that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come right back at you.
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