A Quote by Thomas Middleditch
I don't think anyone can do any character that doesn't have at least some ounce of themselves in it. You are who you are, and your brain is drawing on things that you've experienced.
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As an actor you bring some of your own experiences which can make things easier. You build off of it, but your imagination is always the best thing you have as far as creating things I think specifically for what that character is going through. But you're definitely drawing obviously upon things that you can connect to, and then you kind of mold the change that you're making into something that's right for the character.
The only thing I'd like to see is to give fighters an option to wear a small headguard, a one-ounce headguard. Some fighters might not want that option. But you know - you're training all the time, you're boxing all the time, and you've got a headguard on, you're using big gloves, and you're getting hit. And you observe that your face is better protected that way. Now they're doing it with ten-ounce gloves and no headguard. I think if they have a one-ounce headguard on to protect some of those brain cells in the head, it would be beneficial to the fighter.
Whatever pain and suffering you've experienced in your life has been a blessing at least in this one regard: you now know some true things that you couldn't have learned any other way.
I don't think we're necessarily drawing from that specific sort of storyline, because I think we're all just super-blessed and grateful to have a show on HBO and to be working together and employed. But we are definitely speaking to things that our friends have experienced and others in our realm have experienced, for sure.
One of the great things about the longer you do a character, the more the writers start to understand your kind of character ticks and things that you like to do. The most exciting thing I think for a writer is when the characters just start speaking for themselves. You sit down at your keyboard and just stuff starts jumping out of their mouths. They just sort of wrote the scripts for themselves.
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.
I think you should identify with your character, but plenty of people like themselves and hate themselves. You just have to find out what's truthful for the person you're playing. When people talk about that, I think what they're saying is that as an actor, as Peter, you don't want to make a judgment that comes from your worldview about the character. Your judgments should be coming from the place of the character, and within that space, sure, you could love or hate yourself or whatever you think is most appropriate.
I think a lot of things do influence me, but the influence mechanism is as such that these things dive into your brain and bury themselves into your subconscious and you're never quite sure where and how they're going to emerge. I don't think I really take direct influence.
Human beings have a lot of problems identifying themselves with other human beings who don't resemble them exactly. But there's something about drawing that means that anyone can identify to a drawing. I mean, people can identify themselves with Donald Duck and Mickey Mouse.
I'm trying to do some things with my brain institute to understand more about the impact of concussion on brain tissue, because we have some scientists over there who are really good at looking at brain tissue and the effects of things on brain tissue.
It's one thing to be sitting at a drawing board, alone in your home and coming up with a fantasy character, and drawing her whichever way you feel like drawing, then dealing with a real performer. All of a sudden, things change. It's amazing, in working with actors, how much I learn from them and how many new lines will come to mind because of their personality or their strengths.
If you are harboring the slightest bitterness toward anyone, or any unkind thoughts of any sort whatever, you must get rid of them quickly. They are not hurting anyone but you. It isn't enough just to do right things and say right things - you must also think right things before your life can come into harmony.
I have no business being a journalist. I'm the least, I'm the least - I'm the most trusting, I absolutely make a habit of believing anything that anybody tells me about themselves. I've never had any reason in the world to think that anyone has wanted to harm me, or lie to me. I believe whatever is being sold, most of the time.
If a brain is exercised properly, anyone can grow intelligence, at any age, and potentially by a lot. Or you can just let your brain idle - and watch it slowly, inexorably, go to seed like a sedentary body.
When I was at Disney and was a character art manager and handing out artwork that had to be inked we had a thing where if there was any lettering on it I'd hear, "I don't letter," and I said, "Look at it. It's drawing. Ink the drawing." I just learned from Mike Aarons how each letter was just part of the drawing.
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