A Quote by Thomas Middleditch

Sometimes you just need words on a page to memorize. — © Thomas Middleditch
Sometimes you just need words on a page to memorize.
Sometimes you have to say the words exactly how they are on the page, but sometimes when you improv, it only helps to get across what's on the page, and I just love working with directors who allow that.
If I know I have to memorize lines, I'm really gonna try to memorize lines. It's hard for me sometimes, because somebody wrote these words and you're trying really hard to get them the way they said it.
I just like to express myself in the world around me. And I love writing, but sometimes it feels a little too minute. Sometimes, at the end of the day, there's just not enough colors involved - visually, there are just words on a page.
Depending on where I am in the process, sometimes I have a page count and sometimes I don't. Sometimes I have an hour count; sometimes I'm just happy to string a few words together. I do keep pretty rigorous hours, because otherwise you never get anything done.
When you have a full page of well-written dialogue that has a thought process to it, it is pretty easy to memorize. It's a lot easier to memorize than if you're in a scene and other people are talking, and you have maybe one word or one sentence that you have to interject at the right time and in a natural way.
Sometimes I think that maybe we are just stories. Like we may as well just be words on a page, because we're only what we've done and what we are going to do.
Sometimes we don't need words. Rather, it's words that need us. If we were no longer here, words would lose their whole function. They would end up as words that are never spoken, and words that aren't spoken are no longer words. - (Where I'm Likely To Find It)
I'm quite interested in what words can be, if it's very few words, and it's a kind of club track but it has a sort of uplifting or spiritual kind of feeling to it. Somehow, something bigger than just the words on the page happens when you hear it all together. Sometimes I notice when I'm DJing, I put on a lot of tracks that feature vocals. I guess for me, it's just from growing up loving songs, so maybe I'm geared slightly more towards dance music that features a song element.
I'm not much of a preparer. I think sometimes as an actor you need to go out and learn some skills, but in terms of preparation for understanding the character, it's all on the page, and if it's not on the page, you're in trouble.
I just decided to play make believe, memorize it like it was just some kind of song and just take the emotion out of the words. And I did. I goofed a couple of times.
Writing a screenplay needs to be more than words on a page - and by the way, I think the words on the page are something you have to try to execute on the highest level you can; I'm not dismissing that by any regard.
Words are tricky. Sometimes you need them to bring out the hurt festering inside. If you don't, it turns gangrenous and kills you. . . . But sometimes words can break a feeling into pieces.
Sometimes I feel like a Buddhist and I need to chant; sometimes a Baptist and I need to holler and shout; and sometimes I need to be a Catholic and need to purge my sins and confess. It just depends on where I am.
Sometimes I take a movie that I know is not great; it's not great on the page, but I need to work. Sometimes I need to make the money. I need dough. I want to work, and so I'll take something that is compromised in some arena. But it's like, actors gotta act.
I memorize my lines and I show up. I think it's just instinctual, and sometimes it's wrong and the director says, "No, do it this way." And then I can change, because I didn't spend all night practicing it this one way. All I do to get ready for the day is the night before, I read my lines once or twice, memorize them, and then I show up.
We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.
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