A Quote by Thomas Middleditch

A lot of comedies, I think, make the wrong choice of having the straight man being this bland emotional conduit for the audience. — © Thomas Middleditch
A lot of comedies, I think, make the wrong choice of having the straight man being this bland emotional conduit for the audience.
It'll be interesting to see if I ever have to play a typical, bland romantic interest. I'm quirky, and playing it kind of straight and bland doesn't interest me a whole lot.
I spent years thinking I had to make a choice between being true to myself and being with a man and not having a family, and trying to live something of a lie and being with a woman and having children.
The biggest privilege I've had in my life is being able to make a choice. If you make a choice, it can't be a wrong choice because it seemed like a good idea at the time.
A lot of comedies are based on the reaction shot. You have one person doing something stupid and one person is generally the straight man, and the laughs generally come on the reaction of the straight man to the funny thing the other person has done.
A good stand-up, you lead the audience. You don't kowtow to the audience. Sometimes the audience is wrong. I always think the audience is wrong.
The man or woman who is wholly or joyously surrendered to Christ can't make a wrong choice/any choice will be the right one.
Man has been called a rational being, but rationality is a matter of choice-and the alternative his nature offers him is: rational being or suicidal animal. Man has to be man-by choice; he has to hold his life as a value-by choice; he has to learn to sustain it-by choice; he has to discover the values it requires and practice his virtues-by choice. A code of values accepted by choice is a code of morality.
No choice is the wrong choice as long as you make a choice. The only wrong choice is choosing not to make one.
I don't ever think about being a straight man in fashion. It's fine from my perspective. There are a lot of straight men in fashion, believe it or not. But it's fine. Journalists seem to be really interested in it.
Man has been called a rational being, but rationality is a matter of choice... Man has to be a man-by choice; he has to hold his life as a value-by choice; he has to learn to sustain it-by choice; he has to discover the values it requires and practice his virtues by choice. A code of values accepted by choice is a code of morality.
When it's a moral grey zone, the audience has to think about what they feel and what they think is right or wrong. You want to affect your audience and make them think.
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
As an actor, early on, you learn that the audience is never wrong. And if you think they are wrong, you need to find a different way to make a living. Collectively the audience is smarter than you will ever, ever be.
You can connect with an audience by being a conduit. I'm a big believer of connecting wrestling audiences.
It's very strange to go from being completely secluded and doing your own work for yourself, to having an audience - and having an audience that's aware of what you do and expects you to do things that they like. It can make things difficult.
I think when you're a new actor in Bollywood, it's about seizing the moment. If you can prove to the audience there is an emotional vulnerability to your character, regardless of it being black or gray, I think the audience will accept you in any role - be it romantic or action.
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