A Quote by Thomas Muller
Sometimes a little kid will come up to me and ask me to show him some tricks. I always have to say: 'I can't do any tricks.' They want to see some sort of magic: keepie-uppies, around-the-worlds, that sort of thing. It's not really my strength.
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One thing you learn doing magic tricks for a living is how close every performance of every magic trick is to disaster. There are no robust magic tricks. They're all hanging from a thread - sometimes literally.
We both do a lot of similar things with speed and boxing ability, but I think I've got some tricks up my sleeve for Zab. Zab will probably tell you he's got some tricks up his sleeve for me.
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
I'm such a proponent of the theatrical experience and the cinematic experience, and we've reached this point where the magicians are not only giving away their tricks, but they're telling us how they're doing the tricks in advance before you even come to the magic show. It'd be nice to get a little of the mystery back in.
If [Sean] doesn't see me a few days or if I'm really, really busy, and I just sort of get a glimpse of him, or if I'm feeling depressed without him even seeing me, he sort of picks up on it. And he starts getting that way. So I can no longer afford to have artistic depressions. If I start wallowing in a depression, he'll start coming down with stuff, so I'm sort of obligated to keep up. And sometimes I can't, because something will make me depressed and sure as hell he'll get a cold or trap his finger in a door or something, and so now I have sort of more reason to stay healthy or bright.
I can't say I ever wanted to become an entertainer. I already was one, sort of-around the house, at school, doing my magic tricks, throwing my voice and doing Popeye impersonations. People thought I was funny; so I kind of took entertaining for granted It was inevitable that I'd start giving little performances.
The thought sometimes - the unpleasant thought sometimes creeps up on me here as to whether perhaps Khrushchev was not invited here to enable you to sort of rub him in your sauce and to show the might and the strength of the United States so as to make him sort of... so as to make him shaky at the knees. If that is so, then if I came - if it took me about 12 hours to get here, I guess it'll just - it'll take no more than about 10½ hours to fly back.
Being a straight white guy in his, like, early twenties - there's some sort of thing about it. A sort of privilege, a sort of anger or something. You just say some really stupid things.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
I definitely went through my magic phase. I think all little boys do at some point or another - they get fascinated by magic tricks.
The curse of me and my nation is that we always think things can be bettered by immediate action of some sort, any sort rather than no sort.
I don't want to say I was a big Shinya Aoki fan, but it's just that I felt like he got out and was able to do a lot of the tricks that I like to do before I was able to do them. I guess you can say, a little bit jealous in a way that he was making that sort of show before I was.
We actually found some home videos, some really funny footage of me when I was around 3 years old. I come up to the camera to do a Nixon impression. I don't know who taught me that, but I come up to the camera and said, 'I am not a crook.' I got a really good laugh. You see me register that bringing joy to people is a positive thing.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
Some men can be very rude. On the other hand, some clients are absolute angels. One john always brought me a gift every time he came to see me. He brought me a pearl necklace, a ring, a bra or something. But eventually, as much as I really loved all the gifts, he fell in love with me, and he tried to weasel his way into my life. It was too much and I sort of had to 'break up with him."
God has always been in my life and his little voice in me that lets me know when I'm falling a little too far left or right, up or down you know. I know because there is a little voice that starts saying, 'damn it, what are you doing? You need to slow down with that' or I might not be a good person to hang around you know... So God will do this to me in some sort of way. Or something bad will happen to me.
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