A Quote by Thomas Nagel
The point is... to live one's life in the full complexity of what one is, which is something much darker, more contradictory, more of a maelstrom of impulses and passions, of cruelty, ecstacy, and madness, than is apparent to the civilized being who glides on the surface and fits smoothly into the world.
Related Quotes
We live in a world made up more of story than stuff. We are creatures of memory more than reminders, of love more than likes. Being attentive to the needs of others might not be the point of life, but it is the work of life. It can be messy, and painful, and almost impossibly difficult. But it is not something we give. It is what we get in exchange for having to die.
As you become more rooted inside -- as you drink from this silent stream of life that runs beneath the surface of everything -- as you live from that depth of your own being more and more, then you’ll be able to rise taller and stronger in this world; more than you may have ever thought possible.
Cruelty, very far from being a vice, is the first sentiment Nature injects in us all. The infant breaks his toy, bites his nurse's breast, strangles his canary long before he is able to reason; cruelty is stamped in animals, in whom, as I think I have said, Nature's laws are more emphatically to be read than in ourselves; cruelty exists amongst savages, so much nearer to Nature than civilized men are; absurd then to maintain cruelty is a consequence of depravity. . . . Cruelty is simply the energy in a man civilization has not yet altogether corrupted: therefore it is a virtue, not a vice.
What a mistake to suppose that the passions are strongest in youth! The passions are not stronger, but the control over them is weaker! They are more easily excited, they are more violent and apparent; but they have less energy, less durability, less intense and concentrated power than in maturer life.
A line partakes of the simplicity of a point more than does a surface; and a surface [partakes thereof more] than does a material object-as was evident. From this consideration of a point and a material object elevate yourself unto a likeness of True Being and of the universe; and by means of [this] quite clear symbolism [of a point] make a conjecture about what has been said.
What I like about mixing fiction and non-fiction is being able to fully explore an idea without being bound by genre. If you scratch under any surface there are histories for everything, aren't there? And there's unknown women's history in everything, too. It all gets simplified because its complexity is more than you can stand sometimes. So you need full freedom of expression.
Life's about a hell of a lot more than being happy. It's about feeling the full range of stuff: happiness, sadness, anger, grief, love, hate. If you try to shut one of those off, you shut them all off. I don't want to be happy. I know I won't live happily ever after. I want more than that, something richer. I want to go right up close to the beauty and the ugliness. I want to see it all, know it all, understand it all. The richness and the powerty, the joy and the cruelty, the sweetness and the sadness. That's the best way I can honour my friends who died.
Pain heightens every sense. More powerfully than any drug, it intensifies colors, sounds, sight, feelings. Pain is like a glass wall. It is impossible to climb it, but you must, and, somehow, you do. Then there is an explosion of brilliance and the world is more apparent in its complexity and beauty.
The narrative image has more dimensions than the painted image - literature is more complex than painting. Initially, this complexity represents a disadvantage, because the reader has to concentrate much more than when they're looking at a canvas. It gives the author, on the other hand, the opportunity to feel like a creator: they can offer their readers a world in which there's room for everyone, as every reader has their own reading and vision.
The practice of inhibiting impulses, which is to a great extent necessary to civilized life, makes mistakes easier, by preventing experience of the actions to which a desire would otherwise lead, and by often causing the inhibited impulses themselves to be unnoticed or quickly forgotten.
While I wouldn't wish being teased on anyone, I think it eventually leads to a kind of solidarity in adult life. The few people I know who weren't picked on in school are people I find I can't relate to on much more than a surface level. There's a sensitivity that comes with feeling like an outsider at some point in your life.
Time is a stream which glides smoothly on and is past before we know.
I'd definitely say I end up being more attracted to darker roles. Probably because I like darker movies and plus, just as an actor, I think it's always more fun to play the darker roles where you get to stretch your arms a little bit more. It's like therapeutic.
The more complete the despotism, the more smoothly all things move on the surface.
I kept waiting for him to lay bare something more than this pointed unobjectionableness, but all that rose to the surface was more surface
Nothing can be more certain than this: that we are just beginning to learn something of the wonders of the world on which we live and move and have our being.
Related Authors
Alan Watts Quotes
English
Philosopher
Albert Camus Quotes
French
Philosopher
Aristotle Quotes
Greek
Philosopher
Arthur Schopenhauer Quotes
German
Philosopher
Blaise Pascal Quotes
French
Philosopher
Confucius Quotes
Chinese
Philosopher
Francis Bacon Quotes
English
Philosopher
Friedrich Nietzsche Quotes
German
Philosopher
Jiddu Krishnamurti Quotes
Indian
Philosopher
Laozi Quotes
Chinese
Philosopher
Michel de Montaigne Quotes
French
Philosopher
Plato Quotes
Greek
Philosopher
Ralph Waldo Emerson Quotes
American
Philosopher
Seneca the Younger Quotes
Roman
Philosopher
Thomas Carlyle Quotes
Scottish
Philosopher
William James Quotes
American
Philosopher