A Quote by Thomas Newman

In general, I probably have a shy nature. So the idea of poking out with my music is probably not something I want to do. — © Thomas Newman
In general, I probably have a shy nature. So the idea of poking out with my music is probably not something I want to do.
I don't feel bound by the ebbs and flows of musical trends, or what's happening with new music in general. I always had a fascination with that sound. It's a mixture of the idea that something could be going wrong along with the idea of bending constrained, Westernized music out of tune. But because I wasn't copying an idea, and it just came from somewhere inside me, it felt like a birth of something that most people didn't understand at the time.
I don't believe in poking nose in other people's matters, but when it comes to matters related to me or something that affects me, I will not shy away for saying something I believe.
How would we feel if you could pay extra to smoke on airplanes? When we decide something is a bad idea in general for society, we don't want the rich to be able to buy their way out of it.
And I was very shy as a kid; if you sang me 'Happy Birthday,' I would cry. Quite shy. So the idea of being an actor, much less a model, was just out of this world.
I almost tell him that I'd never be able to do something like that, just take out my instrument and begin playing on a street corner. But it feels to personal. Yes, I'm shy, but why bring it to his attention? I'm too shy to talk about how shy I am.
There's an attraction to emotional clusters or hypocrisies or awkwardness. A desire to expose something or point at something that's already poking out.
My idea of a good time abroad is to visit someone's house and hang out, poking into their cupboards if they will let me.
I've always thought of music as something which gives the words their flight and their wings and the music often comes first, although sometimes I'll have a concept, a title idea, a lyric idea that I want to write and the lyric will come first.
Although in society in general, the idea of an Irish composer of 'classical music', or whatever you want to call it, is still a strange item, generally speaking. Even in the arts, among our fellow creative artists in other disciplines, you still feel slightly out of it.
Once you go on stage you're essentially creating the world that people want to participate in. The worst thing you can do is go out on stage with the idea that you're going to communicate something you've learned and if you do it really well, they'll approve. If you go out in an approval process, you will be so nervous and so preoccupied you'll never get to the heart of what it is you want to make music with.
General Grant had no fixed plan of campaign beyond the general idea to avoid the strong defensive line occupied by General Lee behind Mine Run, and find a way to draw him out to open battle.
There is a great difference, whether the poet seeks the particular for the sake of the general or sees the general in the particular. From the former procedure there ensues allegory, in which the particular serves only as illustration, as example of the general. The latter procedure, however, is genuinely the nature of poetry; it expresses something particular, without thinking of the general or pointing to it.
A lot of different things had to come together over the years, accumulated experiences of a general and personal nature, before the idea and the decision were developed and then carried out.
I was shy as a child. Now I'm not really shy any more, unless I'm with shy people. I find it contagious and I don't know what to say. But I don't think shyness is something one should feel apologetic about.
There's always music sitting around, but when you're cultivating music, the idea of getting into a studio and compressing it to get something out on time can be really good.
I'm actually a very shy person. You'd be surprised how many leaders are shy. They're not all extroverts by nature.
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