A Quote by Thomas Newman

I realized so much of my life hasn't been in a well-lit room, and I realized the importance of documenting my experiences as a way to memorialize them. — © Thomas Newman
I realized so much of my life hasn't been in a well-lit room, and I realized the importance of documenting my experiences as a way to memorialize them.
I took a look at my own life and realized that I was overinvesting in my kids. I realized that I had to get out of the way and let them be who they wanted to be, not what I wanted them to be.
I wanted to do journalism, as I was an idealist. Then, in my second year of journalism, I realized that in real life, things don't work the way you expect them to. I realized that I could express my ideas better through films.
We realize the importance of light when we see darkness. We realize the importance of our voice when we are silenced. In the same way when we were in Swat, we realized the importance of pens and books when we saw the guns.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
I think, the first time I played Iago at the Public Theater, I realized I had a - much to my chagrin - I realized I had an instinct for these conflicted characters, for these torn characters, for these characters who could be described as evil. I wouldn't describe them that way.
I've always been an environmentalist, but my life changed the day I had children. I realized that I wasn't doing enough to protect the planet. People need nature, and of course I want my children to have the best possible opportunity in life. I also realized how important it was for me to raise them to be conscientious people that are aware of their impact on the earth.
I think they've finally realized that women go to see movies as much as men do. Ticket sales are coming from them as well, so why not appeal to them? I think they're finding a way.
I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.
You can't show up on set and expect it all to come together. You have to have a plan, much like how the director can't just show up and go, well, where should I put the camera? That is gonna determine how it is lit, you should have already been in the room looking at it earlier, pre-lit the room, you know there is a lot of prep that goes into it, so it is the same thing with acting. You can't just show up.
I have walked away from friendships when I've realized that someone smiles to someone's face and talks about them the minute they walk out of a room. I have no room in my life for that kind of negative energy anymore.
No life, if it is properly realized, is without cosmic importance.
The thing I've most realized is that when people come up to me and tell me how much my story means to them, how much it was inspiration for them to see me fight through and push through with my career, I realized love is real. And there's no greater feeling in this world, to give back and touch people.
Perusing colorful storylines on the backs of book jackets, I realized that none of them could possibly be as dramatic as my life to date. Then sadly, I also realized I could never find the ending of my story from the safety of an armchair.
I think somewhere along the way I realized, 'O.K., no one's gonna care about a chubby Jewish dude rapping.' I realized I'd be better behind the scenes.
And that is how Goodwin problems were always fixed. Fix them on the surface but don't go to the root, always ignoring the elephant in the room. I think that morning was when I realized I'd grown up with an elephant in every room of my life. It was practically our family pet.
By the time I got writing 'Halcyon,' I was on a roll, and I realized I had so much to write about, I realized I had so much built up inside that I couldn't really alleviate before, and then all of a sudden it was like reservoir burst.
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