A Quote by Thomas P. Campbell
When I first started coming to New York in the early Nineties and seeing the vitality of the programme compared to what was going on back in London or Paris, it was just in a different league. It's like a 16th-century court.
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When I started coming to do shows in New York, New York had a pretty electric energy then. It was the early-nineties, and there was a lot of really fun theatrical types that were designing, and so the runway kind of became this stage for all of these mega model personalities to flaunt their stuff.
What I love about travel and shopping is seeing how different retailers in London, Paris, and New York interpret the same collection. I like to find the best store in town and take a good look because there will always be a nuance that you just can't get anywhere else.
Working was a new thing; waking up early in the morning and going to bed late at night... But I’ve met a lot of nice people, I've been to New York, London, Paris. I like traveling. Now I cannot imagine my life without modeling.
I started going back and forth, New York, London, New York, London. I wasn't looking back at all. I was doing tons of jobs. Working, working, working, working.
Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.
The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.
I started out in New York, and New York has a way of countering a Southern accent, naturally; when I moved to Los Angeles for a job, and I just stayed, the dialect out here doesn't really counter, and my Southern started coming back.
London Fashion Week is so different from any of the others. Compared to the strictness in New York, London seems freer from commercial constraints. Truer to the process, to street style, to a sense of humour.
I started collecting in the late 1990s. My first purchase was from an auction, a scroll by Dong Qichang, from the early 16th century, the late Ming Dynasty.
In the early Nineties, after my first round of financial problems, I started a studio in Kensal Road in London right at the time when no record company wanted to hear anything from Leo Sayer.
I would say that I definitely play a different role with my style; I like to mix it up a bit according to wherever I am. I dress differently in New York, L.A., Paris and London.
Our international success started out first because we became the No. 1 casual wear brand in our home market of Japan. Then, we set up stores in the world's major fashion centers of New York, Paris and London.
I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.
When I started coming on the scene, just really new into NXT, and people started seeing me, I got a lot of positive feedback from my friends, my friends back home. They were like, 'Oh, you are doing such great things for young girls,' and then it clicked in my head, like, 'Wow! I didn't know that was something I could do here.'
The first time I came to New York - and the first time I saw the movie 'Paris Is Burning' - I learned about the homeless LGBT culture in New York City that goes back to the '80s. I found that very interesting, and it's definitely something that I care about.
I travel a lot, but I'd love to go back to cities such as Paris, Las Vegas, New York, and London with my family. When I'm there touring with the band, I have to work, and it's no fun at all.
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