A Quote by Thomas Paine

Truth never envelops itself in mystery, and the mystery in which it is at any time enveloped is the work of its antagonist, and never of itself. — © Thomas Paine
Truth never envelops itself in mystery, and the mystery in which it is at any time enveloped is the work of its antagonist, and never of itself.
But though every created thing is, in this sense, a mystery, the word mystery cannot be applied to moral truth, any more than obscurity can be applied to light. ... Mystery is the antagonist of truth. It is a fog of human invention, that obscures truth, and represents it in distortion. Truth never envelops itself in mystery, and the mystery in which it is at any time enveloped is the work of its antagonist, and never of itself.
The Godhead is never an object of its own knowledge. Just as a knife doesn't cut itself, fire doesn't burn itself, light doesn't illuminate itself. It's always an endless mystery to itself.
There was after all no mystery in the end of love, no mystery but the mystery of love itself, which was large certainly but as real as grass, as natural and unaccountable as bloom and branch and their growth.
The answer is never the answer. What's really interesting is the mystery. If you seek the mystery instead of the answer, you'll always be seeking. I've never seen anybody really find the answer, but they think they have. So they stop thinking. But the job is to seek mystery, evoke mystery, plant a garden in which strange plants grow and mysteries bloom. The need for mystery is greater than the need for an answer.
The first mystery is simply that there is a mystery, a mystery that can never be explained or understood, only encountered from time to time. Nothing is obvious. Everything conceals something else.
Life holds one great but quite commonplace mystery. Though shared by each of us and known to all, seldom rates a second thought. That mystery, which most of us take for granted and never think twice about, is time. Calendars and clocks exist to measure time, but that signifies little because we all know that an hour can seem as eternity or pass in a flash, according to how we spend it. Time is life itself, and life resides in the human heart.
The first track is the end of a string. At the far end, a being is moving; a mystery, dropping a hint about itself every so many feet, telling you more about itself until you can almost see it, even before you come to it. The mystery reveals itself slowly, track by track, giving its genealogy early to coax you in. Further on, it will tell you the intimate details of its life and work, until you know the maker of the track like a lifelong friend.
It may interest you to know that my breakup with Terry and this mystery did not happen concurrently in real life. That is a writer's device, which places Gabriel under even greater pressure when the mystery begins to reveal itself.
I am entirely on the side of mystery. I mean, any attempt to explain away the mystery is ridiculous. I believe in the profound and unfathomable mystery of life which has a sort of divine quality about it.
Mystery is the antagonist of truth. It is a fog of human invention, that obscures truth, and represents it in distortion.
Mystery is in the morning, and mystery in the night, and the beauty of mystery is everywhere; but still the plain truth remains, that mouth and purse must be filled.
Life holds one great but quite commonplace mystery. Though shared by each of us and known to all, seldom rates a second thought. That mystery, which most of us take for granted and never think twice about, is time.
The mystery which underlies the beauty of women is never raised above the reach of all expression until it has claimed kindred with the deeper mystery in our own souls.
A mystery is a problem that encroaches upon itself because the questioner becomes the object of the question. Getting to Mars is a problem. Falling in love is a mystery.
Beer does not make itself properly by itself. It takes an element of mystery and of things that no one can understand.
We don't tend to ask where a lake comes from. It lies before us, contained and complete, tantalizing in its depth but not its origin. A river is a different kind of mystery, a mystery of distance and becoming, a mystery of source. Touch its fluent body and you touch far places. You touch a story that must end somewhere but cannot stop telling itself, a story that is always just beginning.
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