A Quote by Thomas Paine

When authors and critics talk of the sublime, they see not how nearly it borders on the ridiculous. — © Thomas Paine
When authors and critics talk of the sublime, they see not how nearly it borders on the ridiculous.
The sublime and the ridiculous are often so nearly related, that it is difficult to class them separately. One step above the sublime makes the ridiculous, and one step above the ridiculous makes the sublime again.
There's only a step from the sublime to the ridiculous, but there's no road leading from the ridiculous to the sublime.
'Horrible Bosses' is just blatant, outright fun. I've read some of what the critics have said, and it's incredible how mean critics can be about comedies... It's so ridiculous.
Even the most sublime ideas sound ridiculous if heard too often. Be the change that you want to see in the world.
When I step back from any moment of crisis that I've ever had, I'm always struck by how humor and tragedy can kind of live in the same moment, holding hands together. How life can go from the ridiculous to the sublime to the tragic all in one breath.
At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year.
You get this overview effect where you realize how small we are and how fragile our planet is and how we're really all in it together. You don't see borders from space, you don't see diversity and differences in people on Earth.
At the heart of the ridiculous, the sublime
There is only one step from the sublime to the ridiculous.
Tottenham ice their sublime cake with the ridiculous.
Only by chancing the ridiculous, can I hope for the sublime.
The sublime is only a step removed from the ridiculous.
In a world of travail and cheap wine the ridiculous becomes sublime
Living authors, therefore, are usually, bad companions. If they have not gained character, they seek to do so by methods often ridiculous, always disgusting; and if they have established a character, they are silent for fear of losing by their tongue what they have acquired by their pen--for many authors converse much more foolishly than Goldsmith, who have never written half so well.
Critics are to authors what dogs are to lamp-posts.
It would be ridiculous to talk of male and female atmospheres, male and female springs or rains, male and female sunshine....How much more ridiculous is it in relation to mind, to soul, to thought, where there is as undeniably no such thing as sex.
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