A Quote by Thomas Paine

The NT, compared with the Old, is like a farce of one act. — © Thomas Paine
The NT, compared with the Old, is like a farce of one act.
Second, if you disbelieve in the reality of good and evil spirit agents, you fundamentally change the narrative of Scripture. The motif of spiritual warfare is a through-line of both the Old and New Testaments (NT). And in the NT, the meaning of what Jesus was doing in his life, ministry, death and resurrection is fundamentally tied up with the belief in spiritual warfare. Take away Satan, and you take away one of the most fundamental reasons Jesus came to earth!
The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.
We are either a United people, or we are not. If the former, let us, in all maters of general concern act as a nation, which have national objects to promote, and a national character to support. If we are not, let us no longer act a farce by pretending to it.
If melodrama is the quintessence of drama, farce is the quintessence of theatre. Melodrama is written. A moving image of the worldis provided by a writer. Farce is acted. The writer's contribution seems not only absorbed but translated.... One cannot imagine melodrama being improvised. The improvised drama was pre-eminently farce.
Foolish: It's all foolish. Life is a farce a stupid, sickening farce played out by fools.
This is'nt like , vampire gay, is it? ~Kynan
A farce is that in poetry which grotesque (caricature) is in painting. The persons and actions of a farce are all unnatural, and the manners false, that is, inconsistent with the characters of mankind; and grotesque painting is the just resemblance of this.
The act of smelling something, anything, is remarkably like the act of thinking. Immediately at the moment of perception, you can feel the mind going to work, sending the odor around from place to place, setting off complex repertories through the brain, polling one center after another for signs of re recognition, for old memories and old connection.
The difference between farce and humour in literature is, I suppose, that farce strums louder and louder on one string, while humour varies its note, changes its key, grows and spreads and deepens until it may indeed reach tragic depths.
It doesn't matter how old I get, I always act like an excited five year-old kid with severe ADD and a waddle at Disneyland.
I was in handcuffs. I was under arrest. I remember there was this old lady looking at me, and I could tell she felt real sorry for me, and she did'nt know but all I wanted to do was take her purse.
I could go on to speak of sanity as compared with insanity, decency as compared with vandalism, friendship as compared with rabies.
The wit of men compared to that of women is like rouge compared to the rose.
The number who actually consented to the Constitution of the United States, at the first, was very small. Considered as the act of the whole people, the adoption of the Constitution was the merest farce and imposture, binding upon nobody.
It doesn't feel great to be compared to Genelia or anyone. I don't want to be compared, and I would like to think I am different.
It's like the old rule-if you introduce a gun into the first act of a play, it's going to be used in the third act. So if you do a movie about criminals, you have to accept there's going to be Some action.
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