A Quote by Thomas Perry

I do have to earn a living, so I'm conscious of probable reactions from readers, but the most important one is still the awareness that if I'm not enjoying a story, the reader won't either.
Limited points of view let the writer dispense - and the reader gather - information from various corners of the story. It all becomes a kind of dance, with the writer guiding the reader through the various twists and turns. The challenge is keeping readers in step, while still managing to surprise.
But I was, and still am, an avid reader and so when I first started I chose to photograph many of the great writers in this country to try and earn a living.
I have a total responsibility to the reader. The reader has to trust me and never feel betrayed. There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers. And it's appropriate, because the writer is getting paid and the reader isn't.
I do open endings on purpose. I expect a lot from my readers. I want them to do much of the work, because I believe that the story is built by the reader, not by the writer. I like having an open ending to a standalone fantasy, because it allows a continuing story to be written in the hearts of the readers.
History is a story like any other, but black history is a story so devoid of logic that it frustrates the young reader. The young readers in my house, told of slavery and segregation, asked in disbelief, 'What? Why?' We - the parents of black children, the parents of all children - still need to tell that story.
My readers have to work with me to create the experience. They have to bring their imaginations to the story. No one sees a book in the same way, no one sees the characters the same way. As a reader you imagine them in your own mind. So, together, as author and reader, we have both created the story.
Readers want a story, not a pattern. It's the specifics of a story that make it really ping our various reader radars.
Reality is not always probable, or likely. But if you're writing a story, you have to make it as plausible as you can, because if not, the reader's imagination will reject it.
The most basic act of awareness or knowing that we can demonstrate in science. I postulate that that is the very basis of why we're conscious at all, that it is this relationship at the quantum level as matter evolves into more complex form, including plants and animals and living substance and ourselves, that this area of consciousness as an awareness becomes more and more complex.
One of the ways in which writers most show their inventiveness is in the things they tell us about how they write. Generally speaking, I don't like to make a plan before I've written a story. I find it kills the story - deadens it, makes it uninteresting. Unless I'm surprised by something in a story, the reader's not going to be surprised either.
The audience's reactions are more important: if people believe in the love story, it's because they love how we've acted. That's the most beautiful award. It's very important for me, people appreciating what I do.
As a writer, I always try as hard as possible to get out of the way of the story, so maybe that's the most important thing my readers should know - I'm all about the story, not about the ego.
For me it's more important that I outline all the facets of a controversial issue and let the reader make up his or her mind. I don't care if readers change their minds, but I would like readers to ask themselves why their opinion is what it is.
Meditation is not for everybody. When you meditate you become conscious. Most people don't want to be too conscious because they are afraid of awareness, of death, and of being happy.
I want young readers to know that to tell their own story is the most important thing they'll ever do.
I am not working to earn a living, but I am living movies. I am finding me enjoying the process.
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