A Quote by Thomas Perry
I don't consciously do anything to maintain a unique voice.
Related Quotes
When my voice breaks, it recovers automatically. I don't do anything special to maintain my voice. I have a natural voice and don't have to take care of it.
Voice is one of the most elusive qualities in any story. We recognize it when we hear it, but it's hard consciously to create an authentic voice. Somehow voice seems to be the natural manifestation of all the narrative decisions we've made so far. We discover it more than we fabricate it.
Starting out, I bet I didn't get a lot of parts because of my strange voice. I'm not consciously thinking, 'Hey, sound like a squeaky dog toy mixed with a bagful of rusty nails.' It's just what my voice has done.
Hopefully each film can be given a musical voice of its own, which is not to say that the instrumentation is always unique, but that the relationship between the sound and the image is unique.
I think I'm a good writer. I think I have my own voice, which is unique to everyone, everyone has their own voice; if they would just write from a vulnerable embarrassing place, it's going to be universal and it's going to be entertaining. Because everyone is the same and everyone is unique.
I think I'm a good writer. I think I have my own voice, which is unique to everyone - everyone has their own voice; if they would just write from a vulnerable embarrassing place, it's going to be universal, and it's going to be entertaining. Because everyone is the same, and everyone is unique.
Every now and then we get one voice which stands out, a really unique voice we embrace, like a Josh Thomas.
It may be that even if half consciously, we choose our personalities to maintain a certain saving balance in the family's little universe.
I loved this woman the way you love ... well, nothing," he said, a note of suprise in his voice. "You can’t compare that kind of love to anything, can you? It’s its own unique gift.
You have deep-seated survival anxieties. And you don't like bigots, bullies, snobs or hypocrites. Subconsciously there are many people you hate." "Consciously, sir, consciously," Yossarian corrected in an effort to help. "I hate them consciously.
I loved the Disney films, and Sterling Holloway was one of their chief talents. He never had to put on a voice, and that's what Mike [Mitchell] and I encourage. I love the voices that have a unique texture, but it's their real voice.
Elvis's voice was unique. Like so many others, he had natural, technical ability, but there was something in the humanity of his voice, and his delivery.
The whole thing of singing on my own has been accidental and random. I sang a huge amount as a kid, and I was a boy soprano. I didn't do that much classical music; I did a little bit. I had a lovely voice. And then when my voice dropped, I didn't worry about it consciously because I wasn't that invested in my singing at the time.
It takes practice to do anything unique within this field, period, in writing, practice doing anything unique in writing.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
I loved her music and the fact that she was a classically trained pianist and that her voice was so unique, but what made Nina Simone my hero is that I had never seen anyone in the public eye who looked anything like me at all, ever.
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