A Quote by Thomas Pynchon

It takes, unhappily, no more than a desk and writing supplies to turn any room into a confessional. — © Thomas Pynchon
It takes, unhappily, no more than a desk and writing supplies to turn any room into a confessional.
One of the problems with a lot of "confessional" writing is that it starts and stops with the confessional and doesn't really tie the "I" into a "we" at all. I'm still surprised at how mad critics get at that kind of confessional writing.
Confessional poetry is, to my mind, more slippery than poems that are sloppily autobiographical; I find the confessional mode much more akin to dramatic monologue.
A man at his desk in a room with a closed door is a man at work. A woman at a desk in any room is available.
If a tax hike makes it to my desk, I'll veto it in less time than it takes Vanna White to turn the letters V-E-T-O!
Have you any idea how many children it takes to turn off one light in the kitchen Three. It takes one to say What light and two more to say I didn't turn it on.
As a reader I don't distinguish between confessional and non-confessional work. After all, how do we even know that certain "I" poems are confessional? It's a tricky business, this correlating of the speaker and the poet.
It seemed to me that I should have a desk, even though I had no real need for a desk. I was afraid that if I had no desk in my room my life would seem too haphazard.
I don't know what it is that makes a writer go to his desk in his shut-off room day after day after year after year unless it is the sure knowledge that not to have done the daily stint of writing that day is infinitely more agonizing than to write.
A fitting room to me has always been like a confessional ... where my body and my contrition take up the entire room.
Music and writing do fold together in the sense that you have to have a certain level of skill in order to execute your ideas and you need a medium. The idea of improvisation is one that many writers fall into, and I improvise a great deal when I'm writing, but there's a structural framework that I'm working around, and that takes more time than the actual writing. Once the characters get to yapping and talking, they'll move from one room to the next, and I just have to make sure that the house is built. That's really hard, that's the kind of thing that sits with you all day long.
I hate the confessional. I love leaving the confessional. I hate going to the confessional. I would be a mess without it.
[Geology] opens up such wide intellectual vistas and supplies a more perfectly unified and more comprehensive conception of nature than any other science.
Hardware is easy to protect: lock it in a room, chain it to a desk, or buy a spare. Information poses more of a problem. It can exist in more than one place; be transported halfway across the planet in seconds; and be stolen without your knowledge.
Around the world, Gandhi, Nelson Mandela -- what they did was hard. It takes time. It takes more than a single term. It takes more than a single president. It takes more than a single individual.
My house is modern, but I like my writing room to be old fashioned. I write on a little wooden secretary desk.
If you can socialize from the privacy of your desk at night in a dark room, you can be a smoother, cooler, funnier, sexy, more everything person than you actually are in real life.
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