A Quote by Thomas Rhett

I realize that I'm not a great dancer. I've given up the hip-shaking. I don't pelvic thrust anymore. Those were the beginning days of T. R. learning how to dance. But I love it, and I've taken a few choreography lessons. But other than that, I kinda just feel it, I guess.
A good dancer is not necessarily defined by great technique, skill, or ability to pick up choreography but by confidence. When you feel the music, it penetrates to your soul. Everybody's a dancer. The greatest dancer is someone who is willing to dance, not afraid.
I am learning how to dance hip-hop. I'm a good dancer when I dance salsa.
I wasn't a dancer learning to play Baby Houseman. I was Baby Houseman learning to play a dancer. I was someone who'd never done any Latin dance. I'd taken jazz classes and ballet growing up in New York, so I had dance in me, and I knew I loved it, but I'd never done a dance audition.
Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.
Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing.
I feel like in Atlanta, if you were a female dancer, the more you can dance like the boys, the more respect you get. I was thrust into that kind of dance culture, and it was in my body.
Choreography is amazing. I'm still a dancer, yet I transitioned into choreography then as a Creative Director. All of these creative elements are brought out of being a dancer. Directing is something that comes out of understanding movement and choreography. Directing movement is directing a dance piece.
I would love to learn how to dance. I can pick up choreography pretty well. But when you're dancing with your friends, I can't do that. I'm not a freestyler. It just doesn't come naturally to me. Clapping is my go-to dance.
I've just been learning how to direct my own videos, choreography, doing costumes... every creative opportunity there is with my music I've taken.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
I grew up on rap and hip-hop and fell into dance music. Hip-hop died down, and I moved more into dance music, disco and house. It feels very natural. My rhythm growing up on hip-hop and R&B was cool, fresh, and I feel comfortable with it.
You know, because you outline a movie, it kinda comes at the same time. I mean, there are days when you are just concentrating on 'ok, let's worry about just comedy today,' and there are days when you're like 'you know what, we gotta just beef up the story.'. But, it's not like process wise it's that technically separate. One informs the other, so they kinda all happen together ideally.
As a dancer, you dance and you shut up. You don't open your mouth. I started using the media as psychiatrists, I guess, they were someone to talk to.
Mastering music is more than learning technical skills. Practicing is about quality, not quantity. Some days I practice for hours; other days it will be just a few minutes.
I think it's useful to experience other types of dance and other cultures, and the life of a classical dancer these days is certainly not all tutus! So experience of other dance forms is a good idea.
The fact that you have contracted Covid-19 isn't an easy thing to deal with. I was anxious and scared too, initially. Since I was alone, the first few days were all the more difficult. I was following instructions given by doctors but somewhere I was worried given how the virus has taken many lives and the kind of damage it has done to others.
This site uses cookies to ensure you get the best experience. More info...
Got it!