A Quote by Thomas Rhett
Single Record of the Year and New Vocalist were such a blessing to see, but when I saw that I was up for Album of the Year, that's when I started to be like, 'What in the world, this is crazy!' That one really got me in a pretty different way.
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As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.
When I stopped wanting my New Year's Eve to be perfect, to bring in the New Year right, is when it started working out right. When I was young, I was always looking for the best party to be at, to ring in the New Year, and I always ended up in the car going, "Happy New Year."
Growing up in Europe, tight clothing is pretty standard. When I got to college, clothes were loose, so I was going toward more loose stuff. As soon as I got back to New York, I started wearing suits 25% of the year. Then, I realized how important it is for the suit to really fit you and be tight.
If you go out and see a lot of movies in a given year, it's really hard to come up with a top ten, because you saw a lot of stuff that you liked. A top 20 is easier. You probably get one masterpiece a year, and I don't think you should expect more than one masterpiece a year, except in a really great year.
Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!
My first year in baseball, there were only one or two reporters. My second year, I got to the Triple-A playoffs, there were four or five. When I came up in 1984, I never saw so many people.
Prior to 2015, I had kind of approached every year like, 'Let's hope for the best.' I always made these year-end videos with 100 things I did, and it would kind of build itself up throughout the year. When this year started, it was like I knew the 100 things before I even got to do them.
I'm really glad we came up when we did. When we got started, the record companies were concerned with building careers. They made sure you could put on a live show before you put a record out. And if your first album sold 100,000 to 200,000 copies, they were happy, because they figured you had your foot in the door on a way to a long career.
I've toured the U.S. every single year and I've put a record out every single year whether it was on a major label or not; that doesn't make any difference to me.
The first year with the success that we had and let me point out that the time frame changes depending on which decade you look at it. In the seventies acts were kind of expected to do an album a year. If you look at the Beatles they were doing three a year.
'Thrasher' magazine's Skater of the Year is clearly my No. 1 goal. The only way I get that is skating. Other than that, I haven't set that many outrageous goals. If I got Skater of the Year, that would just really add to it all and make me feel really good. Whether it's this year, next year or five years from now, that is my goal.
I was runner that really started focusing on swimming at a very young age, and that's kind of how I got into acting. I was at a school for gifted athletes and gifted artists, and I got injured one year and started hanging out with all the actors and dancers and all those crazy people and started getting the bug.
No, if it was up to me every record would be brand new studio material but Atlantic records asked me to put out a full live record because my tour really did do well last year.
When I was 13, we went back to Argentina to live for a year. I got to see my extended family - really see them: where they grew up, how they lived. It was a different kind of struggle. There is no money. There are no jobs. And they still have to find a way to feed their families.
So, it just seemed like it happened naturally. We nailed our live show to some extent in a year or about a year and a half, maybe just a year of playing songs pretty much around L.A. then we went and scheduled a mini-tour up-state on the West Coast and that's when the whole Rough Trade [Records] thing started happening and from there, things just happened so quick. It changed really quickly.
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