A Quote by Thomas S. Monson

Needed are...[souls] filled with compassion, that we might communicate not only eye to eye, or voice to ear, but in the majestic style of the Savior, even heart to heart.
Ahab cast a covetous eye at Naboth's vineyard, David a lustful eye at Bathsheba. The eye is the pulse of the soul; as physicians judge of the heart by the pulse, so we by the eye; a rolling eye, a roving heart. The good eye keeps minute time, and strikes when it should; the lustful, crochet-time, and so puts all out of tune.
The two stand in the fast-thinning throng of victims, but they speak as if they were alone. Eye to eye, voice to voice, hand to hand, heart to heart, these two children of the Universal Mother, else so wide apart and differing, have come together on the dark highway, to repair home together and to rest in her bosom.
The ear is profound, whereas the eye is frivolous, too easily satisfied. The ear is active, imaginative, whereas the eye is passive. When you hear a noise at night, instantly you imagine its cause. The sound of a train whistle conjures up the whole station. The eye can perceive only what is presented to it.
I feel it is the heart, not the eye, that should determine the content of the photograph. What the eye sees is its own. What the heart can perceive is a very different matter.
The sun illuminates only the eye of the man, but shines into the eye and the heart of the child.
There are three things, after all, that a poem must reach: the eye, the ear, and what we may call the heart or the mind. It is the most important of all to reach the heart of the reader.
The common eye sees only the outside of things, and judges by that, but the seeing eye pierces through and reads the heart and the soul, finding there capacities which the outside didn't indicate or promise, and which the other kind of eye couldn't detect.
The real secrets of Masonry are never told, not even from mouth to ear. For the real secret of Masonry is spoken to your heart and from it to the heart of your brother. Never the language made for tongue may speak it, it is uttered only in the eye in those manifestations of that love which a man has for his friend, which passeth all other loves.
The ear will surrender even at those times when the eye wants to close, when the eye doesn't want to watch.
The ear participates, and helps arrange marriages; the eye has already made love with what it sees. The eye knows pleasure, delights in the body's shape: the ear hears words that talk about all this. When hearing takes place, character areas change; but when you see, inner areas change. If all you know about fire is what you have heard see if the fire will agree to cook you! Certain energies come only when you burn. If you long for belief, sit down in the fire! When the ear receives subtly; it turns into an eye. But if words do not reach the ear in the chest, nothing happens.
What shall I do with this absurdity- O heart, O troubled heart-this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye That more expected the impossible.
What is called generosity is really compassion. In the Shin'ei it is written "Seen from the eye of compassion, there is noone to be disliked. One who has sinned is to be pitied all the more." There is no limit to the breadth and depth of ones heart. There is room enough for all. That we still worship the sages of the three ancient kingdoms is because their compassion reaches us yet today.
It is thyself, mine own self's better part; Mine eye's clear eye, my dear heart's dearer heart; My food, my fortune, and my sweet hope's aim, My sole earth's heaven, and my heaven's claim.
Kindness is the visible expression of a feeling and merciful heart; it is the going forth of a tender and susceptible mind; it claims kindred with the human race; it is all ear to listen-all heart to feel-all eye to examine and to weep-all hand and foot to relieve; it invites the sufferer with kind words, and sends him not empty away.
We may not always see eye to eye, but we can try to see heart to heart.
The art that is in the machine-made article, appeals only to the eye; the art in Khadi appeals first to the heart and then to the eye.
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