A Quote by Thomas Starr King

The oak roars when a high wind wrestles with it; the beech shrieks; the elm sends forth a long, deep groan; the ash pours out moans of thrilling anguish. — © Thomas Starr King
The oak roars when a high wind wrestles with it; the beech shrieks; the elm sends forth a long, deep groan; the ash pours out moans of thrilling anguish.
Much can they praise the trees so straight and high, The sailing pine,the cedar proud and tall, The vine-prop elm, the poplar never dry, The builder oak, sole king of forests all, The aspin good for staves, the cypress funeral, The laurel, meed of mighty conquerors And poets sage, the fir that weepest still, The yew obedient to the bender's will, The birch for shafts, the sallow for the mill, The myrrh sweet-bleeding in the bitter wound, The warlike beech, the ash for nothing ill, The fruitful olive, and the platane round, The carver holm, the maple seldom inward sound.
It is not pride when the beech-tree refuses to copy the oak. He knows his limitations. The only chance of any healthy life for him is to be as full a beech-tree as he can.
In Paul Friedrich's book Proto-Indo-European Trees he identifies the "semantic primitives" of the Indo-European tribe of languages through a group of words that have not changed much through twelve thousand years - and those are tree names: especially birch, willow, adler, elm, ash, apple and beech (bher, wyt, alysos, ulmo, os, abul, bhago). Seed syllables, bija, of the life of the west.
Defeat may serve as well as victory To shake the soul and let the glory out. When the great oak is straining in the wind, The boughs drink in new beauty and the trunk Sends down a deeper root on the windward side. Only the soul that knows the mighty grief Can know the mighty rapture, Sorrows come To stretch out spaces in the heart for joy.
What makes the strength of the soldier isn't the energy he uses trying to intimidate the other guy by sending him a whole lot of signals, it's the strength he's able to concentrate within himself, by staying centered. That Maori player was like a tree, a great indestructible oak with deep roots and a powerful radiance- everyone could feel it. And yet you also got the impression that the great oak could fly, that it would be as quick as the wind, despite, or perhaps because of, its deep roots.
The winter oak... is very useful in buildings but when in a moist place it takes in water to its centre... and so it rots. The Turkey oak and the beech both... take in moisture to their centre and soon decay. White and black poplar, as well as willow, linden, and the agnus castus... are of great service from their stiffness... they are a convenient material to use in carving.
There is a beautiful spirit breathing now Its mellowed richness on the clustered trees, And, from a beaker full of richest dyes, Pouring new glory on the autumn woods, And dipping in warm light the pillared clouds. Morn on the mountain, like a summer bird, Lifts up her purple wing, and in the vales The gentle wind, a sweet and passionate wooer, Kisses the blushing leaf, and stirs up life Within the solemn woods of ash deep-crimsoned, And silver beech, and maple yellow-leaved, Where Autumn, like a faint old man, sits down By the wayside a-weary.
An oak and a reed were arguing about their strength. When a strong wind came up, the reed avoided being uprooted by bending and leaning with the gusts of wind. But the oak stood firm and was torn up by the roots.
The oak has not the efficacy of the fir, nor the cypress that of the elm.
The wind shrieks, the wind grieves; It dashes the leaves on walls, it whirls then again; And the enormous sleeper vaguely and stupidly dreams And desires to stir, to resist a ghost of pain.
In Prison Wearily, drearily, Half the day long, Flap the great banners High over the stone; Strangely and eerily Sounds the wind's song, Bending the banner-poles. While, all alone, Watching the loophole's spark, Lie I, with life all dark, Feet tethered, hands fettered Fast to the stone, The grim walls, square lettered With prisoned men's groan. Still strain the banner-poles Through the wind's song, Westward the banner rolls Over my wrong.
From the great trees the locusts cry In quavering ecstatic duo-a boy Shouts a wild call-a mourning dove In the blue distance sobs-the wind Wanders by, heavy with odors Of corn and wheat and melon vines; The trees tremble with delirious joy as the breeze Greets them, one by one-now the oak Now the great sycamore, now the elm.
Up from the sea, the wild north wind is blowing, under the sky's gray arch. Smiling, I watch the shaken elm boughs, knowing It is the wind of March.
In such situations, of course, people don't nurse their anger silently, they moan aloud; but these are not frank, straightforward moans, there is a kind of cunning malice in them, and that's the whole point. Those very moans express the sufferer's delectation; if he did not enjoy his moans, he wouldn't be moaning.
Needs there groan a world in anguish just to teach us sympathy?
The long day wanes: the slow moon climbs: the deep Moans round with many voices. Come, my friends, Tis not too late to seek a newer world.
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