A Quote by Thomas Steinbeck

I would hardly say that I have a rich knowledge of anything in particular, but I do seem to be burdened with an unseemly appetite for intellectual and artistic erudition, which, for the sake of balance, I keep well harnessed to a reliable sense of the absurd.
There are branches of learning and education which we must study merely with a view to leisure spent in intellectual activity, and these are to be valued for their own sake; whereas those kinds of knowledge which are useful in business are to be deemed necessary, and exist for the sake of other things.
Surely knowledge of the natural world, knowledge of the human condition, knowledge of the nature and dynamics of society, knowledge of the past so that one may use it in experiencing the present and aspiring to the future--all of these, it would seem reasonable to suppose, are essential to an educated man. To these must be added another--knowledge of the products of our artistic heritage that mark the history of our esthetic wonder and delight.
Happiness and the absurd are two sons of the same earth. They are inseparable. It would be a mistake to say that happiness necessarily springs from the absurd discovery. It happens as well that the felling of the absurd springs from happiness. "I conclude that all is well," says Oedipus, and that remark is sacred. It echoes in the wild and limited universe of man. It teaches that all is not, has not been, exhausted. It drives out of this world a god who had come into it with dissatisfaction and a preference for futile suffering. It makes of fate a human matter, which must be settled among men.
I don't really know if I would consider myself anything in particular. I would say I'm inspired in a Hasidic way, but I certainly don't keep all the customs and rules I once did.
I would say I'm a fiscal conservative and a social liberal, if that contradiction can make sense, because in Bolivia, we have a great problem, which is the inequity of income distribution. The rich aren't that rich, but the poor are very poor.
Ethologists thus have an interest in looking at these capacities for the reliable acquisition of belief, and it is not surprising that they have a name for the true beliefs which are the typical product of these reliable capacities. They call them items of knowledge. So I argue that talk of knowledge may thereby be seen to be embedded within a successful empirical theory.
The idea of an isolated American painting , so popular in this country during the thirties, seems absurd to me, just as the idea of a purely American mathematics or physics would seem absurd... And in another sense, the problem doesn't exist at all; or, if it did, would solve itself: An American is an American and his painting would naturally be qualified by the fact, whether he wills or not. But the basic problems of contemporary painting are independent of any one country.
For everyone who, having no artistic sense-that is to say, no submission to subjective reality-may have the knack of reasoning about art till doomsday, especially if he be, in addition, a diplomat or financier in contact with the 'realities' of the present day, is only too ready to believe literature is an intellectual game which is destined to gradually be abandoned as time goes on.
I cannot tell you ... how to be rich. But I can tell you how to feel rich, which is far better, let me tell you firsthand, than being rich. Be grateful... It is the only totally reliable get rich quick scheme.
As well as might we say that a ship is built, loaded and manned for the sake of any particular pilot, instead of acknowledging that the pilot is made for the sake of the ship, her lading, and her crew, who are always the owners in the political vessel; as to say that kingdoms were instituted for kings, not kings for kingdoms.
I'm not an intellectual in any sense, I have constraints of erudition. I'm not able to deal with things outside my ken, and that makes me irritable. I'm irritable about the fact that I never went to university.
It indicates a person who has not only good manners but who possesses a sense of balance, a sure mastery of himself, a moral discipline that permits him to subordinate voluntarily his own selfish interest to the wider interests of the society in which he lives. The gentleman, therefore is a cultural person in the noblest sense of the word, if by culture we mean not simply wealth of intellectual knowledge but also the ability to fulfil one's duty and understand one's fellow man by respecting / every principle, every opinion, every faith that is sincerely professed.
They who dare to ask anything of a friend, by their very request seem to imply that they would do anything for the sake of that friend.
All knowledge has an ultimate goal. Knowledge for the sake of knowledge is, say what you will, nothing but a dismal begging of the question.
The liberal professions, and in a wider sense the well-to-do classes, are certainly those with the liveliest taste for knowledge and the most active intellectual life.
We have artists with no scientific knowledge and scientists with no artistic knowledge and both with no spiritual sense of gravity at all, and the result is not just bad, it is ghastly.
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