A Quote by Thomas Struth

I'm interested in photographs that have no personal signature. — © Thomas Struth
I'm interested in photographs that have no personal signature.
I'm not interested in placing my signature on a house but would rather it be a signature of the place it's located.
I found that while it was interesting to travel around and take the photographs, I would find that I was more interested in the stories behind the photographs. I was more interested in narrative.
Most of the photographs I make are personal pictures and never end up in print. Even the magazines I shoot for on assignment publish very few of the actual selects. Sometimes these personal pictures will end up in a book of my work. Oftentimes, however, they are simply photographs which I hope resonate, yet rarely find a publication home. I do a lot of personal work in Rio de Janeiro, and this of a parkour artist making a jump on Ipanema Beach is such a moment.
A good print is really essential. I want to take strong documentary photographs that are as good technically as any of the best technical photographs, and as creative as any of the best fine-art photographs. [...] I don't want to just be a photo essayist; I'm more interested in single images...ones that I feel are good enough to stand on their own.
Whether you're walking the catwalk or whether you're in front of the camera, there's no such thing as a signature pose or signature look or even a signature walk.
I like to feel that all my best photographs had strong personal visions and that a photograph that doesn't have a personal vision or doesn't communicate emotion fails.
I am not much interested in discovering new territories to photograph. Instead, what I wish my pictures could do is lessen the distance one often feels when looking at landscape photographs... The longer I work, the more important it is to me to make photographs that tell my story as a participant, and not just an observer of the land.
I understand why people might be interested. But I just don't talk about my personal life. It's a decision I made a long time ago, before I ever even knew anyone would be interested in my personal life.
I am interested in making photographs which comment on the experience of a place as well as describe it. My position has not typically been one of advocacy for or against any political position. But I regard photographs as commentary, and that includes, at times, taking a specific political viewpoint on an issue.
I have a rule that I don't review shows from photographs or from video. I certainly might go back and look at photographs and look at video to remind myself of something or for personal information. But I never review from that.
I envied women with signature hair-dos, signature perfumes, signature sign-offs. Novelists who tell Vogue Magazine: “I can’t live without my Smythson notebook, Pomegranate Noir cologne by Jo Malone and Frette sheets”. In the grip of madness, materialism begins to look like an admirable belief system.
And roast beef and Yorkshire pudding is my personal signature dish.
I've had photographs taken for portraits because I very much prefer working from the photographs than from models... I couldn't attempt to do a portrait from photographs of somebody I didn't know.
What does signature mean? Supposedly these are the added touches that make the crime personal to the killer.
The signature of mediocrity is chronic inconstancy. The signature of greatness is a disciplined and consistent focus on the right things.
My ambition is to further create a signature sound, a signature spirit, that makes some kind of contribution to music in general.
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