A Quote by Thora Birch
I just felt like I was making people angry because I wouldn't wear the frilly bows.
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I just always wear bows. I always love bows, and it's always been my thing.
I'd done my time in corporate America, from McDonald's making shakes to Morgan Stanley making deals and, yet, I felt awfully constrained by the uniform - not just my clothes, but how I felt I needed to conform - that a traditional job required me to wear.
You feel like people are looking at you like, 'I wanted the old Kathleen. Where's the old Kathleen?' I felt that way in the beginning of Le Tigre. I felt people were like, 'You're not angry enough anymore.' People still ask me that. 'Are you still angry?' I'm like, 'About what? About that question? Yes.'
I never felt like a boy or a girl, never felt I should wear this or dress like that. I think that's where that confidence comes from because I never felt I had to play a part in my life. I just always come as Shamir.
I'm really not into that super-crazy-colour, smiley-faces-on-the-front-of-your-dress look. That's not my thing. You're not going to see me in pink. Or anything frilly. Or a tutu. Or bows.
I feel like, you know, some people like to wear colorful stuff. Some people like to be blacked down, and some people just want to be colorful. Some people just have weird problems. I'm never going to wear a pink sweater. Some people just do it because they feel like they can do it.
I think maybe that as time goes by there will be more newness but because I was part of what it was before it's not like coming into a house and saying it's all about me. I don't feel like that. It really is all about McQueen and the things that he was trying to say and about moving that forward, making it relevant, making it desirable, making it into what people want to wear.
If there are a couple of adjectives people use to describe me, anger is usually in there. I've never taken that as criticism. It's the way I naturally communicate. But I'm not faux-angry, like Lewis Black, or angry like a gun-toting crazy person. I'm just angry in a mild way - it's not like I'm going to do anything about it.
When I was asked to be a Wiggle I was asked what I wanted to wear. I really wanted to wear a bow, I always wear bows in everyday life.
Brexit for me was really interesting because I was in the heart of Yorkshire, which is a "leave" area. It was quite odd actually, a real deep sense of unease. You felt very odd for your country. You have lots of people that are angry. It's a very physical and public stand that these people are making.
I went to an extreme for literary purposes because I felt all the self-help books out there were so gooey and Pollyanna-ish and nauseating. It was making me angry.
When I started making my own music I was listening to people like Erykah Badu and Elliott Smith. I think I always gravitated towards slightly more understated voices because it felt like I could really connect with what they were saying. It felt more like a conversation.
I was never comfortable because I was always trying to wear what was trendy, but it never felt right on my body or in my skin. It felt wrong. I was finally like, hey, fashion and style can be just about self-expresession, about what makes you feel stylish.
I try to tell all the - not even the kids, even people older than me - to just be themselves. Don't wear what I wear 'cause I wear it; wear what you like.
I felt so much when I was fifteen, sixteen, seventeen, I felt everything. I didn't understand [myself], I was so happy yet so angry and sad. That was the point when I realized that I needed to tell stories and make characters come alive and I needed to make people cry, and make people angry, and make people happy, and make them laugh.
Just because you're wearing something that's like a gown or what have you, you should wear it like you can take your shoes off and put your feet up and what I realized is that most people I love fashion-wise, they wear clothes like that. An ease to it. I thought that was a nice tool.
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