[Camila] was quite incapable of establishing any harmony between the claims of her art, of her appetites, or her dreams, and of her crowded daily routine. Each of these was a world in itself.
Nature! We are enveloped and embraced by her, incapable of emerging from her and incapable of entering her more deeply. Unbidden and unwarned, she receives us into the circuits of her dance, drifting onward with us herself, until we grow tired and drop from her arms.
Of Law there can be no less acknowledged, than that her seat is the bosom of God, her voice the harmony of the world: all things in heaven and earth do her homage, the very least as feeling her care, and the greatest as not exempted from her power.
The world is a better place because of Margot. Let us remember and give thanks for Margot, her brilliant mind, her loving heart, her beautiful voice, her activism, her writings, her news reporting, her other works, her magic, her bright spirit.
A great civilization is not conquered from without, until it has destroyed itself from within. The essential causes of Rome's decline lay in her people, her morals, her class struggle, her failing trade, her bureaucratic despotism, her stifling taxes, her consuming wars.
I am not a historian. I happen to think that the content of my mother's life - her myths, her superstitions, her prayers, the contents of her pantry, the smell of her kitchen, the song that escaped from her sometimes parched lips, her thoughtful repose and pregnant laughter - are all worthy of art.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
Madame Bovary is one my favorite novels. Emma Bovary will always be an enigma, but as the years pass, I feel that I understand her better. She has a violent nostalgia, almost an infantile nostalgia, to be understood by the men surrounding her. I like her relentless fight for independence, her rebellion against the mediocre, and her quest for the sublime, even if she burns her wigs in the process. I like that Flaubert never judges her morally for her self-destructiveness, for her desperate attempt to satisfy her wildest desires and appetites.
To give money to a woman - and here I must speak as a man - is to deny her special quality, her irreplaceability, and reduce her unique amiability to a commodity. Money takes away her name, while transforming her lover into a nameless customer of a market of appetites.
Her court was pure, her life serene; God gave her peace; her land reposed; A thousand claims to reverence closed.
As she left the room, Po went to Katsa, pulled her up, sat himself in her chair, and drew her into his lap. Shushing her, he rocked her, the two of them holding on to each other as if it were the only thing keeping the world from bursting apart.
The dancer's trembling heart must bring everything into harmony, from the tips of her shoes to the flutter of her eyelashes, from the ruffles of her dress to the incessant play of her fingers.
All of us--all who knew her--felt so wholesome after we cleaned ourselves on her. We were so beautiful when we stood astride her ugliness. Her simplicity decorated us, her guilt sanctified us, her pain made us glow with health, her awkwardness made us think we had a sense of humor. Her inarticulateness made us believe we were eloquent. Her poverty kept us generous. Even her waking dreams we used--to silence our own nightmares.
Moving between her thighs, he stretched out above her, then thrust into her. Once. Because, as he did everything, he acted without hesitation or apology to claim her entirely. Her eyes went wide and her breath caught. Holding her gaze, he pressed himself deeper, barely easing back before pressing deep again.
Her dignity consists in being unknown to the world; her glory is in the esteem of her husband; her pleasures in the happiness of her family.
The search for truth can be compared to a cat chasing her tail: frantic in her pursuit, her quarry nevetheless eludes her; despite the fact that all the world can see it's right there, it remains just beyond her reach. It cannot be possessed because, paradoxically, it is already part of her.
I'm attracted to artists like Frida Kahlo, because her work was her life, her questions, her outrage, her suffering, her pain. Everything is in her work.