A Quote by Thornton Wilder

On the stage it is always now; the personages are standing on that razor-edge, between the past and the future, which is the essential character of conscious being. — © Thornton Wilder
On the stage it is always now; the personages are standing on that razor-edge, between the past and the future, which is the essential character of conscious being.
Truth: We are the present. We are now. We are the razor's edge of history. The future flies at us and from that dark blur we shape the past. And the past is forever.
The past cannot remember the past. The future can't generate the future. The cutting edge of the instant right here and now is always nothing less than the totality of everything there is.
The establishment of inner harmony is to be attained neither in the past nor in the future, but where the past and future meet, which is the now. When you have attained that point, neither future nor past, neither birth nor death, neither time nor space exist. It is that NOW which is liberation, which is perfect harmony, to which the men of the past and the men of the future must come.
I watched a snail crawl along the edge of a straight razor. That's my dream. That's my nightmare. Crawling, slithering, along the edge of a straight razor and surviving.
It's being here now that's important. There's no past and there's no future. Time is a very misleading thing. All there is ever, is the now. We can gain experience from the past, but we can't relive it; and we can hope for the future, but we don't know if there is one.
I am living on the razor's edge between success and failure, adulation and humiliation - between justifying my existence and revealing my unworthiness to be alive.
The future and the past are equally meaningless because they are nebulous entities, times that do not exist, containing events which have no echo because they are gone, or which hold no import because they are yet to happen. What is important is the here and now, and now, and now, and the spaces between the nows.
We are all of us walking a razor's edge between darkness and light.
What you think of as they past is a memory trace, stored in the mind, of a former Now. When you remember the past, you reactivate a memory trace -- and you do so now. The future is an imagined Now, a projection of the mind. When the future comes, it comes as the Now. When you think about the future, you do it now. Past and future obviously have no reality of their own. Just as the moon has no light of its own, but can only reflect the light of the sun, so are past and future only pale reflections of the light, power, and reality of the eternal present. Their reality is "borrowed" from the Now.
My hold on the past and the future is precarious and my possession of my own time is always postponed until a stage when I may fully understand it, yet this stage can never be reached, since it would be one more moment bounded by the horizon of its future, and requiring in its turn, further developments in order to be understood.
I told Ersken, "Lately it's been like living on the knife's edge, never knowing which side I'll fall off on" Ersken clapped me on the shoulder as we stepped into the street. "Cheer up, Beka. Maybe you were going to fall off that razor's edge before, but not today," he said, as good humored as always. "Today we're doing to jump.
Where does the hand become the wrist? where does the neck become the shoulder? The watershed and then the weight, whatever turns up and tips us over that razor's edge between something and nothing, between one and the other.
Our thoughts are always pulling us into the future or the past, away from the present. But it is in the present moment that we find Spirit, our essential being and the force that animates all life.
Somehow, in many of those near-miss instances, I've managed to fight through and continue. But in all these situations, even when they're apparently going well, I feel I am living on the razor's edge between success and failure, adulation and humiliation - between justifying my existence and revealing my unworthiness to be alive.
A feeling for history is almost an essential for writing and appreciating good science fiction, for sensing the connections between the past and future that run through our present.
America is now liberty-conscious. In a single generation it has progressed from being toothbrush-conscious, to being air-minded, to being liberty-conscious.
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