A Quote by Thornton Wilder

Characterization in a play is like a blank check which the dramatist accords to the actor for him to fill in. — © Thornton Wilder
Characterization in a play is like a blank check which the dramatist accords to the actor for him to fill in.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
I started carrying blank books like this one around, which I would fill with all the things I couldn't say.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
Noticing and remembering everything would trap bright scenes to light and fill the blank and darkening past which was already piling up behind me. The growing size of that blank and ever-darkening past frightened me; it loomed beside me like a hole in the air and battened on scraps of my life I failed to claim. If one day I forgot to notice my life, and be damned grateful for it, the blank cave would suck me up entire.
Whether you're writing a horror show or a James Bond film, I think what bubbles beneath is interesting characterization. The colors that emerge through storytelling is what a dramatist does. There's always got to be something bubbling underneath that will erupt at some point.
There is a subset of Democrats who tend to mis-fill out ballots. The way you mark the ballot is like an S.A.T. - you fill in the circle. And the subset of people who tend to, like, put a check there instead, or an X, or fill it out wrong, tend to be people who didn't take S.A.T.s, or first-time voters, or people with English as a second language.
Every child has inside him an aching void for excitement and if we don't fill it with something which is exciting and interesting and good for him, he will fill it with something which is exciting and interesting and which isn't good for him.
When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature.
You can make anything into a play for the simple reason that the human mind is one of the best writers in the business. So, if you've got a writer who's clever enough to give you enough clues, you will fill out every blank spot in a play, every single one.
I'd like to play Matt Damon's daddy. He's a wonderful actor, I really admire him, and I'd like to play his dad one day.
Sometimes I feel like a 16-year-old who's got a blank check.
Hard science fiction, which is what I write, often is rightly criticized for having either negligible or unbelievable characterization, but the science I've actually studied most post-secondarily is psychology, and characterization is the art of dramatizing psychological principles.
It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.
Americans are good with to-do lists; just tell us what to do, and we'll do it. Throughout our history, we have proven that. Colonize. Check. Win our independence. Check. Form a union. Check. Expand to the Pacific. Check. Settle the West. Check. Keep the Union together. Check. Industrialize. Check. Fight the Nazis. Check.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
Writing is very difficult. You have 120 pages of blank paper and it's like, "Go fill that up with some funny stuff," and that's challenging.
This site uses cookies to ensure you get the best experience. More info...
Got it!