A Quote by Thundercat
I try not to think too hard about music. I like to see where it goes. I try not to give it a direction. I figure out what it is as it's forming. I don't have any goal in mind other than to make the best music I can.
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Music is a universal language. You don't have to worry about what is being conveyed. You don't have to try to figure out what could be lost in translation. It goes directly to the pit of your soul. I think that's what music was intended to do.
Grunge, like Nirvana and all that. Heavy metal, Iron Maiden, Metallica, Guns and Roses, drum and bass. I like to listen to it and try and break down what makes a fan of that music say 'Ah fuck that other music', do you get me? Trying to figure out what makes them tick, I always try and break that down with every piece of music. But the energy in that music, I love it.
The first thing I think about is music, and the last thing I think about is music. I'm like some Monk. I don't see a lot of daylight. I hang out with musicians, I hang out with directors and I just try to spend as much of my life as possible playing music.
When I make films I'm very intuitive; I'm instinctive. When you are shooting there's little time to think about abstract ideas, it's about getting things done, getting them right, and trying to channel the energies and get the best of whatever you have on your set. It's only once the film is finished that it's like, "Okay, let's try to figure out what happened." Try to figure out exactly what I did.
If I see someone I think is in a better position than me, it is better for me to give the ball. Now I shoot more at goal. When I was young, they sometimes said to me, 'You need to shoot more. You try to give it too much.' It is something that I learned. To try to take the best option.
When I listen to music, there's usually some aspect of that music that I like, and that's what I take and try to bring into my own music. Bringing in other musicians to collaborate with is a good way for me to test out new ways or make music that I might have not discovered on my own.
I never had many problems to do my music and to give it to a record company. Rarely do they try to argue with me about my music, probably because it's still too far-out.
We [with husband] try and spend time alone, which is really hard to do. Of course, when you have kids they're like: "Why are you going out? You went out last night... you can't go out tonight!" so, you try to do that, and you try and ask somebody to please turn off the football game because you can't stand it any longer and you'd rather talk to them.You try to make time for each other where you can. You try to plan a trip away somewhere.
As I'm writing a song, I focus on the music and try not to let my mind wander too much, but if I do think of any visual moments or references that I think would connect nicely, I'll make a note of it.
I always fear with music that it can be too immediate - too geared toward a "get addicted to it and throw it away" mentality. I get so melancholic once I fall out of love with a piece of music, and I try to make music that I think will at least able to grow with me as I get older.
I try not to shut any doors before I even get there. I like doing music. I like singing. I love all music. Music kind of goes hand in hand with acting anyway.
If I don't already know a song's chord progression, I'll stop writing and try to figure it out. I can occasionally listen to unstructured, amelodic ambient music, but I prefer no music. I don't need silence - I can write just about anywhere - but music is a major distraction.
I try not to worry about other people's music. But if there's one thing that I hear these days, it's that people try and put [music] down so tight that they take all the color out of it.
And when you try too hard, it doesn't work. Try grabbing something quickly and precisely with a tensed-up arm; then relax and try it again. Try doing something with a tense mind. The surest way to become Tense, Awkward, and Confused is to develop a mind that tries too hard-one that thinks too much.
The last thing a young artist should do in poetry or any other field is think about what's in style, what's current, what are the trends. Think instead of what you like to read, what do you admire, what you like to listen to in music. What do you like to look at in architecture? Try to make a poem that has some of those qualities.
Everyone is always trying to figure out the future of film distribution. I try and not spend too much time worrying about things like this and just try to focus on making the best work I can to entertain me and my friends.
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