A Quote by Thurston Moore

Noise has taken the place of punk rock. People who play noise have no real aspirations to being part of the mainstream culture. Punk has been co-opted, and this subterranean noise music and the avant-garde folk scene have replaced it
Noise is the typographical error and the poorly designed page...Ambiguity is noise. Redundancy is noise. Misuse of words is noise. Vagueness is noise. Jargon is noise.
Inevitably, as much as we loved punk rock, our noise was coming from a slightly different place.
For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible. Our science has always desired to monitor, measure, abstract, and castrate meaning, forgetting that life is full of noise and that death alone is silent: work noise, noise of man, and noise of beast. Noise bought, sold, or prohibited. Nothing essential happens in the absence of noise.
In the long-run I think we lost some of our audience because of noise. I don't think people were ready for it, OK? And after we did it nothing really happened, but then 4-5 years later when there was a rap-rock emergence, we were already over it. We could have made Bring the Noise part 2, Bring the Noise part 3 - but like I said we're a METAL band, we didn't want to do that.
I can play punk rock, and I love playing punk rock, but I was into every other style of music before I played punk rock.
Punk is just like any other sub culture or music. Straight rock music has those elements. I grew up in a place where the punk rock kids fed the homeless in the town square.
There's a lot of noise in the world. And one of the beautiful things about doing theater and film is the absence of that noise or, perhaps, the adding of that noise where it's helpful in telling the story. I'm always trying to get rid of that noise. The more you do it, the better you get.
I'm talking about noise rock. I don't think that noise rock element belongs in jazz. It's not for me anyway; it just doesn't fit.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
It's a dying art to play live anymore and just play raw. Who cares if you make a mistake? That's punk rock. Just go out and go for it and make some noise.
The majority of the people think that noise is not music. I want to accept noise and even errors and glitches. I enjoy them.
Noise is evolving not only the endurers of noise but the needers of noise.
There was the noise itself, which he thought of vaguely as the noise of classical music, sameish and rhetorical, full of feelings people surely never had
I did Noise Music because I genuinely liked noise... But a lot of people didn't. At my concerts, people smashed beer glasses in my face.
You tell yourself that noise is what defines silence. Without noise, silence would not be golden. Noise is the exception.
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