A Quote by Thurston Moore

I really want to do a book on the history of the no-wave music scene in New York, how it extended out and formed lots of other things. It was such a great visual culture. — © Thurston Moore
I really want to do a book on the history of the no-wave music scene in New York, how it extended out and formed lots of other things. It was such a great visual culture.
It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.
New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.
I think there's just so much awesome music coming out of New Zealand, I've always loved The Naked And Famous, I absolutely love Ghost Wave... it just seems like there's a really cool scene happening out there, I'd love to go and spend some time there and see what other bands are popping up.
When I first went to New York, I didn't really go out to clubs. It was the height of Culture Club so I didn't really have a social life. It was only after I had been to New York a few times that I started going out.
People ask me if I'm influenced by British music, and I suppose I grew up listening to mostly British music - from new wave stuff through to heavy metal. Like, when I got into metal, it was Black Sabbath. I never really got into a lot of American rock. I appreciate some of it, but not much! Most of the great new wave music was coming out of Britain, and Germany. So maybe those influences have made their way into my music, and perhaps that's why I have this connection with people in Europe. But maybe it's something cosmic.
I think New York is a really wonderful place to raise a child. There's so much available, and so much diversity and culture, lots of things to see and do. My whole family is here.
I think that, just like the art scene and the music scene is exploding in LA - I mean, let's face it: if you want to be an artist you cannot live in New York anymore because it is too expensive…
I do really love New York. I feel like there are more Asian restaurants. Philly has a sick food scene, I don't want to diss it at all. But New York is so much bigger and there are more options.
I didn't understand the culture and what Starbucks was really about. It wasn't a coffee shop. It was really a way of life... we suffer from thinking that since we have it in New York, or it won't work in New York, that it won't work some other place. That's a discipline we keep trying to improve.
I'm living every ten-year-old boy's fantasy. The other day, Chris and I had this big scene where we had to pull out our guns, and I was thinking, 'Here we are in New York City - a place where every actor wants to be - and we are literally playing cops and robbers. How great is that?'
I get letters from two kinds of readers. History buffs, who love to read history and biography for fun, and then kids who want to be writers but who rarely come out and say so in their letters. You can tell by the questions they ask - How did you get your ?rst book published? How long do you spend on a book? So I guess those are the readers that I'm writing for - kids who enjoy that kind of book, because they're interested in history, in other people's lives, in what has happened in the world. I believe that they're the ones who are going to be the movers and shakers.
Music and visual performance have to influence each other. Designers and musicians have to be the nexus of all things pop culture, so I think about designers when I'm making music.
I appreciate that I have lots of fans out there, and they want to wish me well, but I don't want that to influence how I feel throughout the day or how I act within a scene.
I guess, for me, what started me getting real excited about music was the New York punk and new-wave scene. All those bands looked back to the Velvet Underground and the Stooges and the Modern Lovers as well. But that was back when Television were punk, and the Talking Heads were punk.
The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
New York feels like the whole city is into dance music. That's not how it felt when I was younger. There was more of a hipster scene.
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