A Quote by T.I.

Producing a film is more unfamiliar territory. Although producing an album and overseeing artists is a task within itself. But film is unfamiliar territory so, here and now, that's more difficult.
I just got lost in thought. It was unfamiliar territory.
If you find yourself as a person in unfamiliar territory, you will grasp on to what is already familiar.
The only reason some people get lost in thought is because it's unfamiliar territory.
You know, post-production is a bit of a grind to me. If I'm producing a film, I really... I mean I like editing, but all the other crap, the color mixing and... it's all a grind. And so as a result I cut back producing the number of films I was producing.
There were a lot of unique challenges in producing the film, such as the logistical issues inherent in producing a long-term verite film in Pakistan, dealing with Urdu and Punjabi dialogue with an English-speaking editor and all the difficulties in recording, editing and clearing so many music tracks.
Cable television stations in America are now producing such smart, in-depth, non-formula, character-based dramas. Film has turned more and more into big action or cartoons.
Apart from my film, I am producing TV serials and plan to make more films, too. Mine is not going to be one-film-a-year production company as such.
I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.
When I stay focused and honest about who I am and the image that I hope to portray, then I won't find myself stranded in unfamiliar territory chasing money or popularity. If the work that you do is quality, then you'll be rewarded. It's also good to stretch musically within the realm of your ability, but not if it compromises your integrity.
I love editing. I think I like it more than any other phase of film making. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.
You've got my heart in unfamiliar territory. It's never been out here on my sleeve. But here tonight with you it's quite a different story. You bring out a side of me no one has ever seen.
With the Neal Morse Band, we're doing progressive music with a harder edge; it's a little more in Dream Theater territory for me. Flying Colors is a little more poppy, it's more Radiohead, Muse, and Coldplay territory, so I approach that drumming in a different way.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
No critic writing about a film could say more than the film itself, although they do their best to make us think the oppposite.
I think my function working in China is to bring my experience and what we've gone through in the Hong Kong industry to China. I hope there'll be more and more new Chinese companies with vision, that understand producing and film financing. My plan for the future is to work with as many new companies as possible, to pass on my experience as to what is commercial film.
Album sales have collapsed, with few artists making money from albums; touring is more lucrative. But I'm 53 now and won't be able to tour forever, so a logical step is to get into writing film scores. Trouble is, you need to be somewhere which has a big film industry - another reason why I'm thinking about living in California.
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