A Quote by T.I.
If I think of something, half-way into it, I can throw it in there and it won't be so far down the line that it would be insignificant. However, I also like to completely focus on something for a certain period of time, and then be able to move on to something else.
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If something comes around that would be a challenge, then that would be wonderful. But if it's a watered-down version of something I've already done, I'd rather do something else.
I think laying out a beautiful picture in a beautiful way is a bloody bore. I think you've got to blow it right across the page and down the side, crop it, cut it in half, combine it with something else... do something with it. You've got to make something out of it.
It's amazing to completely focus on something for four, five or six months, have it completely consume your life and be constantly thinking about somebody else's set of circumstances and how they would react to something. I find it fascinating. It's rewarding and on a professional and personal level.
I think you can learn a lot about a guy from the way that he talks to you and the way that he compliments you. If he's complimenting you when you're just walking down the street and it's something completely pure and of the moment, then that's something you can take to heart.
I think romance is something that you don't clock or keep track of... you don't manage it in that way. It's something that happens in a moment. Usually, it's in a period of time when you put yourself in an uncomfortable position for the sake of somebody else.
What I would say to anyone who wants to be a model is, have something else. This shouldn't be your be-all and end-all in life: there are so many other amazing things to be done in the world. I also think that the industry really celebrates a woman who does something else. So keep at it, but always have something else.
I actually like a film in a gallery, because you don't have to show up at a certain time to see something, you can just walk in whenever. I like that freedom to be able to see something anytime. I personally don't mind watching something knowing that it's not the beginning and then just letting it run its cycle.
I'm quite confident with the way that I look but you find something else to focus on don't you if, I mean I, I have body issues that's my thing so you find something to focus on when you're a perfectionist, I think.
You make a record like 'Jump,' people are stuck in that world. They want you to keep making records like 'Jump.' People don't understand that you got to move on; you got to do something else. You have to evolve and go to something else. And most of the time, when it's time for you to move, other people are not prepared for that move.
It's always been important to us to be original, which sounds really easy when you say it. Everyone says it all the time, but it's actually not that easy to be original. It's also something scary because if you're doing stuff that doesn't sound like anything else, I think a lot of people get scared of that. A lot of people tend to follow instead, they wait for something else to do something new and then they follow that. We just don't like to do that.
It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.
I've always thought that each album would be my last one, and then I would be out of ideas and I would move to photography or something. I thought it was transient and it's not because of this entrenched career stubbornness that I've done it for so long, it's just something I enjoy doing, and it's the most direct way I can express something.
I throw everything I have into whatever story I'm writing - and so there's something immensely gratifying about finishing one piece and then starting fresh with a new setting, time period and cast of characters, getting to see the world through a completely different lens each time.
I still loved Marc desperately and couldn’t imagine life without him. Jace was…something else. Something I could feel but couldn’t articulate. Something I wanted, and hadn’t been able to resist in my grief-weakened state. He was something that would have to wait.
Improv is not something I had a lot of experience with, because for a long time, my only experience in front of a camera was all television, which is pretty rigid script-wise, except for the occasional scene where you toss in an ad-lib just to elongate something. Like, say, you're walking down a hall and you just don't have enough dialogue, and you throw in something. But you don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed.
Whenever my friend says something cool, and especially if my team says something, like a cool line in English, I'll write it down, and maybe I'll rephrase or use in a different way or something.
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