A Quote by Ti West
Jumpy is the most incredible animal of all time. The movie [Valley of Violence] is the tamest example of what that dog is capable of.
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Ethan [Hawke] just - they got along great. He got to act with a dog, for real, and it felt like Jumpy was acting with him. It was a surreal thing to watch. When you watch the movie [Valley of Violence], you just kind of accept it. But if you do think about how we show - there's a dog and a movie star interacting - and you buy it. That's crazy.
Everything Jumpy could do [in Valley of Violence] was too much. If I put it in the movie you would all check out. When he wraps himself up in the blanket, that's as far as I could go, and that's not even close. The dog's amazing.
I'm doing an over-the-shoulder shot on a dog. I'm putting the camera behind the dog's shoulder. This is craziness. You just accept it in the movie [Valley of Violence], but when you make the movie, it's the weirdest thing. There's dog coverage, like it's a person.
It's this long monologue [in Valley of Violence] with Ethan Hawke talking about life and everything with a dog. That's not in movies. Hopefully when people think about the movie when they go home, they're like, "That's weird. He's maybe crazy. He's talking to a dog the whole time."
One of my favorite scenes of the movie [Valley of Violence] is when Ethan Hawke is sitting at the campfire with the dog.
The hardest animal was the vulture. But the horses were great, the dog was great [in Valley of Violence]. It was really easy.
I found Jumpy on YouTube. I wrote a movie about a guy with a dog and was like, "What have I done? This is going to be a nightmare. We're a small movie and we're never going to be able to do this."
Really, I wanted to make a movie [Valley Of Violence] about: How does violence affect people? This is a take from me on how violence affects people.
It's unreal. I mean, the dog backflips. It's amazing. Google Jumpy on YouTube - I had seen the dog first and I was like, "Y'all don't even know."
Of course, we talked about Westerns we like with [James Ransone in Valley of Violence] , but it was always thematically in relation to the movie and what the themes of the movie were.
With my horror movies or with this movie [Valley of Violence], same thing. The subtext of this movie is what to take away from it. Plot is never something that's been my driving force as a filmmaker.
[Valley of Violence] was written for James Ransone. PJ's a friend of mine, I've known him for a long time, he's always like, "Dude, when are we going to make a movie together?" I finally called him.
I'm an ambassador for Best Friends [Animal Society], an incredible organization that's devoted to the welfare of animals - in particular, trying to help make every animal shelter a no-kill shelter. My two dogs were rescues, and I'm a firm believer in finding every dog or cat a home.
It definitely could have been a horror story [Valley of Violence], oh my God, if the dog was impossible. So could the horses.
I did the movie [Valley of Violence] from two perspectives. You're with Ethan [Hawke] the whole movie, but for the first half, you're really with Ethan. For the second half, you're with him, but also you're with the bad guys because he kind of becomes the bad guy. No one's really good in the movie.
I tucked him in with his stuffed-animal pet dog—cleverly named Dog-Dog, by the way.
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