A Quote by Ti West
It definitely could have been a horror story [Valley of Violence], oh my God, if the dog was impossible. So could the horses.
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Everything Jumpy could do [in Valley of Violence] was too much. If I put it in the movie you would all check out. When he wraps himself up in the blanket, that's as far as I could go, and that's not even close. The dog's amazing.
The hardest animal was the vulture. But the horses were great, the dog was great [in Valley of Violence]. It was really easy.
Ferguson shows the power of social media. This could have not been a story. Or it could have just been a local story. Or it could have been something that we saw only from a distance, through the usual filters. Instead, it gathered steam.
But no longer could I aks God what to do, since the answer, I was sure, would not suit me. I could do what suited me know, as long as I could pay for it. 'As long as I could pay for it.' That phrase soon became the tail that wagged my dog. If I had died then, it should have been my epigraph.
With the establishment of a relationship of oppression, violence has already begun. Never in history has violence been initiated by the oppressed. How could they be the initiators, if they themselves are the result of violence? How could they be the sponsors of something objective whose objective inauguration called forth their existence as oppressed? There would be no oppressed had there been no prior of violence to establish their subjugation.
Only Ron's dog was watching William. He considered that it had, for a dog, a very offensive and knowing look. A couple of months ago someaone had tried to hand William the old story about there being a dog in the city that could talk. (...) The dog in front of William didn't look as if it could talk, but it DID look as if it would swear.
One of the most gracious dispensations of God concerning His saints is their lovely unawareness of sanctity. The nearer they move to Him, the more conscious are they of sin. If it were impossible at times not to note their own growth in grace, it were impossible also to forget that it was all by His power. If they could be persuaded to admit their progress and talk of it at all, the language of their heart would be this: 'If God could do this in me, He could do it in anyone
If you compare the violence in 'Happy Valley' to the violence in something like 'Game of Thrones,' it's nothing. But it is shocking because it's so real and grounded. The characters could live next door to you - they're not in a remote fantasy world.
I'm doing an over-the-shoulder shot on a dog. I'm putting the camera behind the dog's shoulder. This is craziness. You just accept it in the movie [Valley of Violence], but when you make the movie, it's the weirdest thing. There's dog coverage, like it's a person.
I'm so sick and tired of all this violence, this gun violence. And how could I speak on it - you know - being one who has advocated violence and gun violence? The only way I could do it was through a song that spoke from the heart.
With my horror movies or with this movie [Valley of Violence], same thing. The subtext of this movie is what to take away from it. Plot is never something that's been my driving force as a filmmaker.
I'm just trying to give the best human expression that I can to any particular genre, which could be comedy, could be drama, could be horror, could be thriller.
A cowboy, a lawyer, and a mechanic watched Queen of the Damned,” I murmured. Warren—who had once, a long time ago, been a cowboy—snickered and wiggled his bare feet. “It could be the beginning of either a bad joke or a horror story.” “No,” said Kyle, the lawyer, whose head was propped up on my thigh. “If you want a horror story, you have to start out with a werewolf, his gorgeous lover, and a walker.
I could weep for a river-valley, and I have. But for a country? Oh man, I don't know.
Everyone keeps saying, "Oh my God, oh my God, how intimidating." It's like saying, "How could you date Jennifer Aniston after she's been with Brad Pitt?" I don't care.
The horror of Gandhi's murder lies not in the political motives behind it or in its consequences for Indian policy or for the future of non-violence; the horror lies simply in the fact that any man could look into the face of this extraordinary person and deliberately pull a trigger.
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