A Quote by Ti West
The movie [ The Innkeepers] is in no way a comedy, but I would put some of the funny scenes up against some of the funnier comedies this year. I think it's genuinely really funny, but it's out of the gallows.
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There are many comics around who don't really have a feel for comedy. They can say outrageous things, have clever thoughts, and deliver some funny angles. But they are not genuinely funny.
I think the kick to doing comedy is just to get in a film with really funny people and let them do their jobs. I find that in most comedies, I'm not the funny one, which works out great.
Interestingly it's when you come to the comedy, that's where a lot of the discussion is. It's like ten people sitting around talking about what is funny. "Is that funny? Is that funnier than that? Is this slightly funnier than this?" I guess that's what it's like when you're making a comedy movie as well, you just have to sit around talking seriously about the nature of comedy.
[Shaquille O'Neal ] walked in and said we were hiring him, so we said, "Yes sir!" Shaq is a genuinely funny guy. He's really funny in the movie. He's not just a stunt cast- he's a genuinely funny actor.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
Some of the vintage comedy on Radio 4 Extra wasn't very funny to begin with, whereas some things just get funnier regardless of the changes in public attitudes over the years.
Some people are brilliant at being comedy actors and if you're a comedian I think there's a perception that, if you're acting at something that's meant to be funny, it will be funny all the way though and you'll be dropping in gags.
Mel [Gibson] could stage physical comedy and put the camera in such a way... I mean, we did some really funny stuff, and he had some great ideas about how to do it. It was a delight to work with him in that regard.
I think funny is just the foundation. I don't really think, to some extent, funny is the absolute most important thing. It should also communicate some idea through the medium of cartooning. Just to be funny is... You know what, the things that you laugh hardest at aren't cartoons.
I think we're in a really interesting moment for women globally just in terms of, like, historically, I think we're in an interesting moment for women. Because, it's important to remember, there have always been funny, funny women. Mae West was real funny. Marilyn Monroe was in one of the greatest comedies, Some Like It Hot, ever made. I mean, it's not like we're lacking. I just think the percentage of women in positions of power in all aspects of our culture is improving and women are standing up and demanding to be heard.
I never know when I am being funny, and the other way too. I don't think you can think about that. I don't think you can try to be funny. Some people are just funny.
But I think once the word gets out that the movie is funny - funny is transcendent - it will traverse all demographic barriers if people embrace it as a funny movie.
I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
For people who have done comedy after a certain point in time, I think there's a base level of, 'O.K., I think I'm decently funny.' But unless you just have some massive ego, I really think you're still fighting against that.
But I think Kiss Kiss, Bang Bang really got that thing where, if a movie reads really funny and then has some dramatic or violent or sinister stuff in it, you can't forget that primarily it has to be even funnier than you read it or that other stuff doesn't work.
I wanted to be a real writer, you can put it this way, but I was lazy. So I thought that cinema would be funnier because it's collective, and it's crazy, and it's chaotic, and also because I was based in Spain. So I said it will be easy to make a career of that - because all the other filmmakers there are very bad. And it will be funny at the same time. So this was the point. It will be funnier, easier, and maybe at the end there will be some unknown beauty, and maybe on the way we'll create the dream that a different logic is possible for life.
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